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...went to art school and met a brilliant young art critic, Craig Owens—one of the chief formulators of post-modernism in the arts... I heard about the Whitney Museum’s independent study program... and he encouraged me to apply. So I dropped out of art school and started at the Whitney program at 18. I did that for one and a half years. Toward the end of my stay there, I published my first article, which was about Louise Lawler. The following summer, I did my first museum tour...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

...sociopolitical and economic conventions of art institutions can be examined and challenged in more literal forms like essays. Why did you choose to do so from an artistic approach? Do you believe one method is more effective...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

...discussed how you have moved from the view of being against art institutions to their defense in your career. How has your definition of institutional critique changed...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

...hate to say this, but there’s a lot of anti-institutionalism in the art world and elsewhere; however, at this point, I have to think about it as being a little adolescent. Of course, we want to be free on some level from institutional constraints and not only institutional but social determination. Art is a space of freedom where you can invent yourself and the world. [But] artists can’t invent meaning themselves. What works come to mean and how they exist in the marketplace and history is external to our control. That...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

...other hand, anyone really looking at institutional critique and the practice associated with it could see that it was never about escaping institutions. Like Marcel Duchamp’s “Urinal”—an object only takes on a specific meaning as an art object within a discourse with the history of art and within these institutions. Instead [of trying to escape] one is left to struggle within this discourse...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

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