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...time around. So he sailed for Japan, thinking he might make it to the U.S. But in Japan he met a family active in the steel business and began selling iron ore principally to their company, Nippon Steel. A year later, he married Leah Freudlsberger, whose father was an art lecturer at a Tokyo university and whose mother was from a distinguished Japanese family. When the war ended, Eisenberg's fortunes took off. He sold the U.S. army of occupation kitchen and bathroom equipment made of aluminum from downed aircraft, and continued brokering the iron ore and other imports Japan...

Author: /time Magazine | Title: ISRAEL'S SECRET WEAPON | 7/21/2008 | See Source »

...recordings Horowitz made for Columbia Masterworks from 1962 to 1973 (when he returned to RCA Victor) offers a happy opportunity to hear afresh Horowitz's brand of keyboard magic without the imposing presence of the man. Horowitz's Columbia recordings provide a distinctive but narrow view of his art. By the early 1960s, he had shorn himself of his reputation as a fire- breathing virtuoso, all flash and no substance. He began to deploy a wider, deeper repertory. The technique remained impeccable, but Horowitz made an effort to transcend his limitations and become a musician as well as a pianist...

Author: /time Magazine | Title: THE GREATEST PIANIST OF ALL? | 7/21/2008 | See Source »

...Miro died 10 years ago, and 1993 marks the centenary of his birth. It has been celebrated by a number of exhibitions in Spain, where the centerpiece was a large retrospective in Barcelona. This week an even bigger Miro show goes on public view at the Museum of Modern Art in New York City: 291 paintings, drawings, sculptures and ceramics, put together by art historian Carolyn Lanchner. Miro got his first retrospective, at MOMA, more than half a century ago, and now he is getting the treatment reserved for the heaviest guns of 20th century art: Picasso in 1980, Matisse...

Author: /time Magazine | Title: THE PUREST DREAMER IN PARIS | 7/21/2008 | See Source »

...churches, from Ripoll in the north to Tarragona in the south, you catch yourself breathing his name. His bestiary of images, wild and swarming and drawn with a line as exact as a knife's cut, comes from multiple sources. One, obviously, was Hieronymus Bosch. Another was the decorative art of Islamic Spain, with its precise yet often hallucinatory stylization of animal and vegetable shapes; the first sign of its incursion into Miro's work is the 1918 Standing Nude, whose sturdy body, pleated with Cubist (or at any rate, cubified) wrinkles, poses against a drapery covered with arabesques...

Author: /time Magazine | Title: THE PUREST DREAMER IN PARIS | 7/21/2008 | See Source »

...make pictures like these anymore. Case in point: Legal Eagles. It ought to work. Robert Redford can give good suave; Debra Winger could be Audrey Hepburn (or Kate) brought down to earth. The plot ransacks honorable sources: bantering, romancing lawyers from Adam's Rib, silky threats at an art auction from North by Northwest, the murderer and his motive from Charade. The movie's Manhattan locations exploit some of the most glamorous spots in Greenwich Village and Tribeca. Wallpapering the film is the work of 37 modern artists, which was flown at great expense from New York City to Universal...

Author: /time Magazine | Title: MURDER IN THE WORST DEGREE LEGAL EAGLES Directed by Ivan Reitman Screenplay by Jim Cash and Jack Epps Jr. | 7/21/2008 | See Source »

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