Word: artfully
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Dates: during 1970-1979
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Could Sargent be revived? Fifteen years ago, the very question would have seemed absurd. But as the Edwardians recede from us, curiosity about their now remote era grows, and now-fortunately, as it turns out-we have a Sargent retrospective. Organized by Art Historians James Lomax, Richard Ormond and Nancy Rivard, it was seen in England during the spring and summer of 1979, and opened last month in Detroit...
Truffaut was the director whom Producer Stanley Jaffe first hired for Kramer. When scheduling conflicts developed, Jaffe turned to Benton. Though he has directed only two previous movies, Bad Company (an antic western with Jeff Bridges) and The Late Show (an eccentric detective story with Art Carney and Lily Tomlin), Benton's career stretches back over a decade. With his longtime writing partner, David Newman, he co-authored the most influential film script of the '60s, Bonnie and Clyde, which, like Kramer, leavened conflict with smart wit. He and Newman also collaborated on such diverse '70s movies...
Moviegoers have yet to see the full range of Streep's art. She is an expert mimic (she copied her dead-on Southern accent in Joe Tynan from Dinah Shore) and can turn a hilarious pratfall. Her film roles have mainly been those of vulnerable modern women. She has not yet played a period character from a position of strength, but plans to start work on the screen version of John Fowles' The French Lieutenant's Woman early next spring...
...world ago. In Mummies Made in Egypt (Crowell; $8.95), Aliki unravels the secrets of ba, the ancient Egyptian concept of the soul, and ka, the invisible twin of the deceased. Both ba and ka wandered after death, and they could only return to a recognizable body-hence the art of preservation. Aliki's crisp narrative and delicate artwork never veer toward necrology; her interest is in the living past, and her guidebook flatters both the child who receives it and the giver who puts it under the pyramid-shaped tree...
...amphibians.' In fact, the text is a straightforward introduction to the dance. But somehow, when the steps are illustrated by frogs in tutus and tights, an air of lunacy pervades the proceedings and the young reader is suddenly an attendant at the wedding of comedy and art...