Word: artfully
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Dates: during 1970-1979
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...even commits that most worn-out philistine pastime, making fun of abstract art. The happy news is that such limp work forms a minority in the book. Swenson is at her best in natural, isolated settings. Her eye for detail is both loving and fierce. She runs alone on a beach...
...growth from entertaining performer to genuine film auteur, yet maintaining his bond with millions of movie-goers. Contrary to all expectations, current reports confirm that Manhattan is booming at the box-office throughout the country, testifying that Allen has resolved what had been considered impossible-a reconcilement between art and entertainment; to put it bluntly, without compromising his aesthetic standards, Allen continues to divert the average...
...dark one, while a long take is almost invariably replaced by a sequence composed of many edited shots (principally of characters conversing in close-ups). This concept of the film as a juxtaposition of visual events unforcefully related to each other is in accord with the modern tendency in art to conform to an open structure rather than to depend on tight dramatic unity. With such an "indented" narrative line, Manhattan can be seen as a cinematization of Allen's personal diary as opposed to novelization of a film (ironically touched upon in the film with Keaton's involvement...
WOODY Allen is one of the few popular filmmakers who remains true to his personal vision of life and art without forsaking the great tradition of the comedy genre. He knows how creatively to employ the new modes discovered by other directors involved in different genres. He flows with the current of contemporary cinematic trends, utilizing all the resources of modern technology. In contrast to Jacques Tati and Pierre Etaix who explore the present potential of silent comedy gags, Allen blazes the trail for a renaissance of sound film comedy. He is rapidly approaching the point when...
...WRAP UP the plot, the two in-laws fly in a private jet manned by two jabbering Chinese to a Caribbean banana republic, and the jokes become considerably more childish. Richard Libertini plays the pacifist dictator whose battalions chant verses by Millay and whose art collection is filled with garish nudes. He does keep the audience laughing, but it's all very strained-as if everyone involved in the movie had tired of it and decided to take the easy way out. The ending hits the same flat note, as Falk and Arkin are-surprise-saved, and Falk's integrity...