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Word: artfully (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Madame Bovary. Institute of Contmeporary Art, Thursday...

Author: NO WRITER ATTRIBUTED | Title: film | 4/26/1979 | See Source »

During the day, Tuesday through Saturday, Passim is a coffeeshop and gallery with a wide variety of lunch items under $3 and hand-made art works, folk albums, and cards from over 40 countries. Classical music and the clink of teacups on saucers punctuate the continuous hum of conversation. By night, when Passim is transformed into The Listening Room, rows of chairs are added between the tables, enabling the place to seat about...

Author: By Elizabeth E. Ryan, | Title: A Scoop Behind the Coop | 4/26/1979 | See Source »

Stenhouse started the eighth-inning rally with a two-out triple (his second of the game, sixth of the season) to right-center off Tufts southpaw Art Georgeu. Jumbo coach Bill Samko then made the mysterious decision to intentionally walk Harvard cleanup hitter Mark Bingham, a left-handed batter, to get to Peccerillo, a righty who had stung the ball all day and had--unbeknownst to Samko--been hitting .500 the past week...

Author: By John Donley, | Title: Crimson Nine Stops Tufts, 9-7 | 4/25/1979 | See Source »

Kitaj's idea of a "more social art" has little to do with social realism. But he is the last history painter, and his enterprise is to see history through the lens of other media-books, photos, snatches from film and similar "raw" sources-combined in a kind of painted collage, the visual equivalent of spinning the radio dial and hearing snatches of different broadcasts on different wavelengths punctuated by silence and bursts of static. The work responds to an edgy sensibility: Europe of the '20s and '30s, and Northern Europe at that, the dictators' playground...

Author: /time Magazine | Title: Art: The Last History Painter | 4/23/1979 | See Source »

Detachment, irony, variety: these are the hallmarks of Kitaj's art, as of the culture it pays homage to. It is anchored in life drawing (the figure, to Kitaj, is the supreme challenge), but this frees him to play with certain areas of art from the past century that are considered, in more orthodox circles, a taboo source. Thus the Picasso from whom one can properly take ideas is the cubist who emerged after 1906. Kitaj, on the other hand, devotes a number of his drawings to making strange pasiches of immature Picasso, the artist of the blue period...

Author: /time Magazine | Title: Art: The Last History Painter | 4/23/1979 | See Source »

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