Word: artfully
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Dates: during 1970-1979
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...point of his career was in the 1940s. He decided, in a mood of perversity, to paint "modern art" -pictures full of impressionist fuzz and expressionist slather. The Gorgon, 1943, a wretched parody of Monet applied to a surrealist syntax, may be the least inept of these. If anything, they showed how far Magritte's real gifts lay from the orthodox processes of modernism. Nor did his first essays in the surrealist manner, done in 1925-26, indicate much about the artist to come; they are, for the most part, grab bags of motifs from other painters, chiefly Ernst...
...first level, Magritte's art produced some of the most disturbing images of alienation and fear in the lexicon of modern art. There is no more chilling icon of the failures of sexual communication than The Lovers, 1928, with two anonymous (but inescapably similar) heads kissing through their gray cloth integuments. Nor are there many paintings that sum up the pathos of fetishism-the substitution of a symbolic part for the desired whole-more acutely than In Memoriam Mack Sennett, 1936, in which a woman's negligee, hanging on its own in a closet, has developed a forlornly...
...former naval ferry that she bought for $4,500 in 1972 and has since spent some $50,000 to refurbish; it boasts a living room big enough for a central stove, bookshelves and a piano. At Seattle's Shilshole Bay Marina, John Polikowsky, 55, an art teacher, has spent six years building his 44-ft. live-aboard sloop, Panope. "This," he says, "is a good combination of having my cake and living...
...Art Historian Andrée Conrad sees disastermania in sociological terms. In a recent review of 20 catastrophe books for the quarterly Book Forum, she argued that disaster writing and entertainment are safety valves for hostility toward a complicated culture. Says Conrad: "For one exhilarating and guilt-free moment, the whole teeming supermarket cart of capitalist goodies is sent hurtling down the aisle and crashes through the façade." The films, in her view, also ease the dread of death, since there is comfort in knowing that everyone almost always dies together. Concludes Conrad: "The success of disaster entertainment...
...Menichella) paddled their way into the big finals of the evening's third race, the 200-yd. backstroke, the Crimson jumped out to a commanding 55-point lead. Freshman Raikula became the meet's third double winner (Cornell diver Paul Steck later became the fourth), demonstrating the art of ultra-smooth backstroke for eight laps and a meet-and pool-record time...