Word: artfully
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Dates: during 1990-1999
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...Terror ride and its own 3-D smash It's Tough to Be a Bug, will surely be part of that revolution. But for now, I.O.A. is the glorious trendsetter in the huge theme resort that is Florida. The state of the park has reached state of the art...
...life imitating art as Hugh Grant strides up the road toward a popular bar in the heart of London's Notting Hill, the neighborhood, just around the corner from a travel bookstore suspiciously like the one he runs in Notting Hill, the movie. No cameras are rolling, no colorful extras mill about, but the sunglasses do little to disguise his identity, given that the rest of the Hugh Grant package--the blue shirt and khakis, the bounteous hair he repeatedly refers to as "floppy"--is reassuringly intact. And so is that Hugh Grant awkwardness; he somehow manages to walk straight...
...back to doing what comes naturally. After Notting Hill comes Mickey Blue Eyes, out in August from Simian Films, the production company he and his girlfriend Elizabeth Hurley formed in 1995. In this light comedy, produced by Hurley, he plays an art auctioneer who happens to fall in love with a New York mobster's daughter (Jeanne Tripplehorn). The film allowed Grant and Hurley, in the name of research, to hang out with genuine Mob types in Brooklyn. "They really adored Elizabeth," says Grant. "They say, 'My name's Uncle Mikey, if there's anything...
...show of early works on paper by the German artist Sigmar Polke, which runs through June 16 at New York City's Museum of Modern Art, is a bit of an anticlimax. Much has been expected of Polke. He is one of the two painters--the other being Anselm Kiefer--who rose to the top of the enormously promoted pack of "new" German artists in the 1980s and remained there when others dropped away or became, like Georg Baselitz, with his crude upside-down figures, formulaic bores...
...contrast between Kiefer and Polke couldn't be sharper, of course. Kiefer (whose drawings were recently shown at New York City's Metropolitan Museum of Art) is oratorical, Wagnerian; he is a flat-out mythomane, dedicated to the Sublime, the Enormous and the Ultra-German; a marvelous artist at his best and at his worst a Black Forest ham. Polke is thinner, weirder and more elusive. His work--whose basic nature developed during the period covered by this show, from 1963 to 1974--is a hard-to-read image haze formed by the overlay of Pop art on Germany...