Word: artfully
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Dates: during 2000-2009
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...domains. The persuasive immediacy of the prose is such that it becomes all too easy to see Venice through Atman's self-consciously hip sunglasses. Pleasure dissipated from my first vaporetto ride the moment I opened the book. "You came to Venice," muses Atman, "you saw a ton of art, you went to parties, you drank up a storm, you talked bollocks for hours on end and went back to London with a cumulative hangover, liver damage, a notebook almost devoid of notes and the first tingle of a cold sore." (See pictures of London...
...seems, are the characters consumed by the city's seething Dionysian urges. Nearly a century later, British author Geoff Dyer, in his latest pair of novellas, Jeff in Venice, Death in Varanasi, has returned to Venice an updated version of Mann's aging dilettante. Jeff Atman is an art critic sent from London to cover the 2003 Venice Biennale. His four-day stay - a condensed version of Mann's summer - is a heady dose of drink, sex and drugs daubed with pithy observations about the world of modern art at its most commercial...
...peach juice and sparkling wine invented at Harry's Bar, tel: (39-41) 528 5777. There was none to be seen at this year's parties, but prosecco flowed freely. One of the best selections of Venice's native drink - prosecco grapes are mainly grown in Veneto - minus the art-world pretension or tourist-trap prices, can be found at Timon, tel: (39-41) 524 6066, a decidedly laid-back bar where patrons can dangle their feet over the canal out front...
...When the Monuments Men found stolen art, was it generally in good condition? Early on many works were stored fairly well. But as the Nazis got more desperate in the later stages of war they were having to move not only the works they stole but also art from their own museums. Frames consume a lot of space, so paintings were literally pulled out of their frames. The Nazis were loading trucks in the open rain and putting art into damp mines. There are all sorts of cases of Monuments Men finding paintings with moss literally growing through the weave...
...than 5 million objects. That includes thousands of church bells the Nazis were going to melt down and use for war materials. The main mine that contained many of the works destined for Hitler's Führermuseum had more than 10,000 paintings, sculptures and other works of art. It's unimaginable. We're not talking about average things, but sculptures by Michelangelo and paintings by Vermeer...