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...author and a television correspondent - and to each of those tasks, he brought his superabundant energies, look-at-me narcissism and gleefully roguish manner. But in one job, he left the world a changed place. In his 10 years as director of New York's Metropolitan Museum of Art, Hoving, who was 78 when he died of cancer on Dec. 10, didn't just transform the Met. He remade the very idea of museums...

Author: /time Magazine | Title: Thomas Hoving: The Man Who Made the Modern Met | 12/11/2009 | See Source »

...headed the swank department store Bonwit Teller and then the luxury retailer Tiffany & Co. The younger Hoving grew up in Manhattan and attended a series of private schools. Then it was on to Princeton, where he got his bachelor's degree, a master's and then a doctorate in art history. In 1958 he went to work for the Met, eventually becoming chief curator of medieval art...

Author: /time Magazine | Title: Thomas Hoving: The Man Who Made the Modern Met | 12/11/2009 | See Source »

...bring African-American audiences into the museum, Hoving decided in 1967 to mount "Harlem on My Mind," a multimedia documentary survey of the history of Harlem, which opened two years later. The very idea offended people who couldn't understand what a historical show was doing at an art museum. That bad reaction got worse when the show's catalog turned out to contain an essay by a young black woman that included anti-Semitic remarks. In the uproar that followed, Hoving nearly lost his job. (See pictures of the Louvre...

Author: /time Magazine | Title: Thomas Hoving: The Man Who Made the Modern Met | 12/11/2009 | See Source »

...wasn't stolen, on another page Hoving brags that in his days as the Met's medieval curator, when he made three or four buying trips each year to Europe, "my address book of dealers and private collectors, smugglers and fixers, agents, runners and the peculiar assortment of art hangers-on was longer than anyone else's in the field...

Author: /time Magazine | Title: Thomas Hoving: The Man Who Made the Modern Met | 12/11/2009 | See Source »

...also have a brief retrospective of some of Callie Shell's unique behind-the-scenes pictures of President Obama over the past year, including a fresh and distinctive round of images from just last week. The package also includes pictures from long-term art projects like Andrew Moore's photographs from his two-year undertaking in Detroit (which complements our yearlong focus on that struggling American city) and a picture by Richard Mosse of a surveillance balloon on a U.S. military base in Iraq, shot while working on a series on Saddam's palaces...

Author: /time Magazine | Title: Richard Stengel: A Window on Momentous Events | 12/10/2009 | See Source »

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