Word: artfulness
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Dates: during 1930-1939
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...smart defensive player, he should be in to break Exonian plays frequently. The center question is uncertain at the present, due to a bad leg injury to Ed Ready, who has been holding down the A team pivot position. His place may be taken by either Jack McNeil or Art Lyman, who has been switched around from center to the backfield and back again...
With few losses by graduation, Carr has a nucleus of veterans around which to form his 1938 Varsity. In fact the soccer mentor is pressed to find room on the eleven for two of last year's first stringers, Art Page and Jim Rousmaniere, who are now battling for the center forward berth. Likewise a pair of veterans, Joe Bradley and Dick Lewis, are evenly matched for the right fullback post...
...team lineup, the most likely line prospects for starting posts Saturday are George Kuhn and Tom Johnson, ends, Vern Miller and Tom O'Loughlin, tackles, Endicott Peabody and Dick Rowe, guards, and either Jack McNeil or Ready at the pivot spot. Backs who may get the call are Lee. Art Lyman, George Heiden, Al Vander Eb, Hal Tine, and Spreyer...
...Louisan with an inquiring nose and an unobtrusive but exacting eye. Walker Evans began with simple equipment ten years ago, mostly influenced by Matthew Brady's Civil War photographs and by the movies of Von Stroheim and Vertov. This week Manhattan's Museum of Modern Art published American Photographs, a book of 87 pictures by Evans, and honored him with its first one-man show of photography...
This week this "monk of modern art'' was shown in a new aspect to the U. S. public when Manhattan's Museum of Modern Art exhibited 150 lithographs, etchings and wood engravings produced by Rouault in the past 20 years. Many had not been shown anywhere before. Most were done at the instance of Vollard for that publisher's fiercely faithful and interminably delayed de luxe editions. Several magnificent portraits were included: of Moreau, Verlaine, Baudelaire. In the color etchings art followers found new, bright colors, strange to Rouault, as if medieval gaiety were entering...