Word: artfulness
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Dates: during 1930-1939
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History. Only during the last decade, after engineers helped doctors control artificial fevers by means of electricity or hot air, has the art of fever therapy matured. Impulse to this development was the success which Dr. Julius Wagner von Jauregg of Vienna had in curing paretic Austrian soldiers by means of inoculations of malaria germs. For this he received a Nobel Prize in 1927. Dr. Wagner von Jauregg is supposed to have caught the idea of malaria therapy from an Odessan named Rozenblum. Yet U. S. slave owners used to send their syphilitics to malarial swamps where, for some then...
...Heavily art-conscious is France's largest public utility group, the C. P. D. E. (Compagnie Parisienne de Distribution d'Electricite). Its advertising booklets were among the first to recognize the talents of U. S. photographer Man Ray. The company has sponsored many younger architects and artists, but no choice could be happier for a monumental exhibition mural than vivacious, talented Raoul Dufy...
Born 57 years ago in Havre of a solid, bourgeois family, he became a clerk in his father's importing house, started to paint as a hobby about 1895. Five years later he went to Paris to make art his profession, stuck to conservative Beaux Arts training until the summer of 1905 when he saw his first picture by Henri Matisse. "Confronted by that picture," said Raoul Dufy, "I understood all the new reason for painting...
...technique. Raoul Dufy, and later his Brother Jean, worked out a sort of shorthand of painting with rapidly sketched trees and houses blocked in colors deliberately off-register. This genre has been seized avidly by smartchart editors and advertisers. Museums know his work: even the Metropolitan Museum of Art has a Dufy...
...years most of the founding Independents were recognized as U. S. classics, but as public appreciation of art increased the Independents' show lost practically all excuse for existence. The business of discovering artistic talent has become highly organized. Not a single first-rate critic bothered to write a serious review of the Independents' show last week. Newspaper humorists, who flocked to it, privately divided the exhibitors into three groups: successful veteran painters who continue to show with the Independents for auld lang syne; harmless amateurs; nuts...