Word: artfulness
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Dates: during 1930-1939
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There is one that Buck Duke used to tell on himself, of the time Mrs. Duke was dragging him through Europe into art galleries, cathedrals, etc., and while visiting Canterbury Cathedral, Buck felt tired. He seated himself in the nearest pew which happened to be the choir stalls. Quickly a sexton came up and asked if he would move for he was in a stall reserved for nobility. Buck Duke is reported to have asked the sexton, "Who in the hell do you think I am?" The sexton politely backed off and asked "Who, sir?" and Buck answered "Duke...
...Newark Museum was chartered not for awesome Art alone but also for the exhibition of works of science, history and technology. Newark was an industrial city and a satellite of Manhattan; its upper class even then was beginning to find homes in the country and entertainment in the metropolis. Dana made his museum of interest to working people and the middle class. In 1912 he got up the first industrial arts exhibition ever held in the U. S.; 1,300 items of Austrian and German craftsmanship. He arranged an exhibition of jewelry (something Manhattan's Museum of Modern Art...
...great consulter of the public, John Cotton Dana sat him down in 1914 and in 15 homely chapters cut through the welter of U. S. snobbery and callowness about Art. In his classic American Art: How It Can be Made to Flourish, he observed that the ability to tell a well-designed teacup should precede precious talk about Giotto; and he urged the purchase and study of contemporary work by U. S. designers and artists. The Museum lived up to this so consistently that in 1925, when Dana was in Italy and a rich Newark lady sent him $10.000 with...
Meanwhile Director Dana had brought art to the people by such further innovations as museum branches (in his own branch libraries), free tours for school children, exhibitions of well-designed articles bought for a dime apiece in the city stores, a "lending collection" of art objects ranging from Tibetan to Pennsylvanian, packed in neat boxes and borrowed like library books. When John Cotton Dana died ten years ago this month, he had coaxed the annual city appropriation from $10,000 to $150,000, upped annual attendance to 125,000, won the title of "Newark's First Citizen...
...come out with no activities lost. Meanwhile, the rest of the country has been catching up with it. Museum workers trained in Dana's "apprentice classes" (another first in the U. S.) have taken his fresh attack into a dozen important museums. Manhattan's Museum of Modern Art has adopted a policy of exhibiting industrial design, has added architecture. Most important of all, John Cotton Dana's social philosophy of art inspired the nation's first Federal Art Project through its director, Holger Cahill, who worked under Dana from...