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...biggest museums are looking back this fall on those exalted beginnings. "Kandinsky," at the Solomon R. Guggenheim Museum, sends nearly 100 of the artist's works up the Guggenheim's spiral ramp like a whirlpool of angels in a Tiepolo ceiling. Meanwhile, at the Whitney Museum of American Art, "Georgia O'Keeffe: Abstraction" scrapes away O'Keeffe's barnacled legend as the Gray Lady of New Mexico to recall the young woman who at the dawn of abstraction made a fearless leap into the unknown. (See pictures of the work of Kandinsky and O'Keeffe...

Author: /time Magazine | Title: The Worlds Within | 10/19/2009 | See Source »

Like airplanes and antibiotics, abstract art is one of the defining inventions of the 20th century. But it's hard to say who arrived first at pure abstraction - images with no reference to the visible world - because abstraction is also one of those things, like calculus in the 17th century and photography in the 19th, that germinated in several places at about the same time...

Author: /time Magazine | Title: The Worlds Within | 10/19/2009 | See Source »

...after the start of the First World War, in 1914. That was when the multidirectional Czech painter Frantisek Kupka and the austere Russian Kazimir Malevich were in their different ways achieving escape velocity on canvas. And so was Kandinsky, who would become the most tireless apostle of an art that answered to nothing in the merely material world. Born in 1866 to a prosperous Moscow family, Kandinsky spent his 20s studying law and economics, all the while bending toward another calling. He was the sort of young man who could be sent into ecstasies by a sunset. "The sun dissolves...

Author: /time Magazine | Title: The Worlds Within | 10/19/2009 | See Source »

...Kandinsky, with his first wife Anja, decamped to Munich to become an artist and art teacher. His early paintings were folkloric, storybook scenes of an imaginary medieval Russia rendered like mosaics in bright lozenges of color. It wasn't until the summer of 1908, when he discovered the little town of Murnau in the Bavarian Alps, that he began to uncouple his pictures from any sources in the visible world. In Blue Mountain, which he began the following winter, he assigned the mountain an unearthly shade of indigo and turned the flanking trees into almost free-floating pools of pigment...

Author: /time Magazine | Title: The Worlds Within | 10/19/2009 | See Source »

...Theosophy is a familiar part of his biography, the Guggenheim show, which continues through Jan. 13, is largely silent on the matter. Has it all gotten to be too embarrassing? Without bringing it into the story, you can't fully grasp how Kandinsky, author of Concerning the Spiritual in Art, saw his work as a search for forms and colors that would speak the language of that higher plane...

Author: /time Magazine | Title: The Worlds Within | 10/19/2009 | See Source »

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