Word: arthur
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Dates: during 1940-1949
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Chances were that the Senate would put back some, if not all, of the cuts. The Republican compromise worked out by Michigan's Arthur Vandenberg and New York's John Foster Dulles would trim the funds for Europe to an even billion. "But," said Dulles, "there will be no disposition to be foolish and bullheaded about it. That was one of the reasons why the Administration's bill got such bad treatment...
...Teething Troubles." Some airmen readily admitted that they had not always been so sure that the B-36 could meet that threat. One who did was General George Kenney, who ran the Mac Arthur air arm in the Pacific. In 1946, said Kenney, he had been so discouraged by the "teething troubles" of the B-36 that he had recommended cancellation of all further orders. But as B-36 performance began to improve, Kenney continued, his mind gradually changed. "It astonished me," he explained frankly. "The youngsters liked it. They said it handled good up there. I said good...
Temporarily at least, Clift and Douglas have run away from such other promising newcomers as Arthur Kennedy, Richard Basehart, Robert Ryan, John Lund, Farley Granger, Louis Jourdan, Ricardo Montalban and Christopher Kent. One who has not been left behind is Melchor Ferrer (no kin to Broadway's Jose), an experienced actor. His performance in Lost Boundaries, as the Negro doctor who secretly crosses the color line, is one of the year's best. Scarcely a newcomer, but definitely a comer, is Richard Widmark. It took two years and three pictures for 20th Century-Fox to dilute the Widmark...
...element as of tranquil chaos and tobacco smoke." Seasoned in the fumes of his own shag, he was also, before he was 35, the veteran of a personal hell from which almost nothing was lacking: a torn and distressful home; the shock and grief of losing his best friend, Arthur Hallam; the cruelty of a sneering review in the Quarterly Review that drove him into nine years of public silence; poverty; a long and apparently hopeless engagement...
...lectern and began to narrate: "Behold Faust in his cell . . ." After a few more words in Poet Spender's potpourri of prose and poetry, recapping Faust's learning in "alchemy, and, alas, theology," she froze into a catatonic stare, and Faust, followed by Mephistopheles (Bass Arthur Newman) came on to sing (excellently). By the time the audience rushed out for air at intermission, they had seen and heard Maggie, two pianos and four singers (Faust, Mephistopheles, Marguerite, Valéntin) telescope the first three acts into one. Altogether, Maggie's Faust got through to the closing prison...