Word: arthur
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Dates: during 1980-1989
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...first time ever in America, the works of the often misunderstood Pietro Testa are available for viewing in the Arthur M. Sackler Museum; an additional satellite exhibit is on display in the Fogg Museum, both through March 19. Though Testa is perhaps the least familiar of 17th century Italian graphic artists, he has also been called "the only original and truly Italian etcher" of his time...
Since 1985, several articles have appeared in the national press attacking Asian-American admissions policies at public universities in the West and selective Eastern institutions, particularly Harvard. Critics, like Berkeley professor L.C. Wang and MIT graduate Arthur Hu, have charged that Asian-Americans are admitted at a substantially lower rate here than whites and other minorities and that Asian-Americans have to be more academically qualified than others to be admitted...
...narrator, who describes himself as a retired terrorist (he fought to establish Israel), refers to a belief among Welsh nationalists that an old steel sword briefly on view in England was actually King Arthur's. The narrator points out that Arthur may not have existed, and that whatever sword he owned would surely have rusted to nothing. He admits, however, that the sword in question was engraved with the letter A. And he retails the scholarly notion that long before it belonged to the proprietor of Camelot it was the legendary Sword of Mars, said to make its wielder invincible...
...sword does turn up, after some unlikelihoods normal to popular adventure. Perhaps it was Arthur's, but Burgess, who invented it, now seems to feel that it doesn't much matter. Both he and his characters discount Welsh nationalism as unserious playacting. One of his protagonists, in exasperation, chucks the sword into a pond, where it sinks without a deathbed speech. He explains, "I had to grasp a chunk of the romantic past and find it rusty." Which does not entirely answer a last-page question to the author: "What was that all about...
...Arthur Hochstein (Deputy Art Director); Linda Louise Freeman (Covers); Steve Conley, Jennifer Napoli, Billy Powers, Irene Ramp, Ina Saltz, John F. White, Barbara Wilhelm (Assistant Directors); Angel Ackemyer, Stefano Arata, James Elsis, Carol March, Kenneth B. Smith (Designers); Nickolas Kalamaras Layout: John P. Dowd (Traffic); Joseph Aslaender, David Drapkin, Victoria Nightingale, Lisa Sampson, Nomi Silverman, Eugene Tick, Dennis Wheeler Maps and Charts: Paul J. Pugliese (Chief); Cynthia Davis, Joe Lertola, E. Noel McCoy, Nino Telak, Deborah L. Wells...