Word: arthur
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...selections from musicals Bernstein produced during his adolescence, all ably accompanied on the piano by Derrick L. Wang ’06. Matthew V. Anderson ‘03 gave a great vocal performance on “A Wandr’ing Minstrel I” from Sir Arthur Sullivan’s “The Mikado.” Anderson later returned with Catherine L. Vaughan ‘08 for Gershwin’s “Of Thee I Sing.” In “Croon-Spoon,” from Marc Blitzstein?...
...large problem in transcription, and showed the structure of RNA polymerase poised to do transcription.” Kornberg said in an interview with The Crimson last night that when he enrolled in Harvard in 1963, he had little desire to break out of the shadow of his father, Arthur Kornberg, the winner of the 1959 Nobel Prize for medicine. Though he began his studies as an English Literature concentrator, Kornberg said, “In the back of my mind, there was no serious doubt that I’d be going to graduate school in chemistry...
...Paul McCarthy’s “Red Poster Tapes,” which themselves are only one part of “Nominally Figured: Recent Acquisitions in Contemporary Art.” The exhibition, along with its equally contemporary counterparts at the Busch-Reisinger Museum and the Arthur M. Sackler Museum, represents a heightened commitment on the part of Harvard University Art Museums (HUAM) to collecting and showcasing contemporary...
...arts, but Harvard is not one of them. When Dramatic Arts 10, Harvard’s beginning acting class, had its first session on Sept. 19, about 60 students showed up to audition for one of the 16 spaces in the class. The audition pieces, by Anton Chekhov and Arthur Miller, were not easy monologues to delve into, especially for someone with no theater experience. Although it was nominally a beginning-level class, the students auditioning for the class included many who had performed lead roles in past Harvard-Radcliffe Dramatic Club (HRDC) productions—not beginners...
...Weber who persuaded the photographer Alfred Stieglitz to mount a Picasso show in 1911 at Stieglitz's pioneering 291 Gallery in New York City. That exhibition, Picasso's first in the U.S., included at least some of his newest Cubist images. For budding American modernists like Arthur Dove and Marsden Hartley, it was a first glimpse of work that would transform their own. Later the inexhaustible Stuart Davis came across Picasso's work and likewise reunderstood himself. In the 1920s Davis saw the broad, sharp-edged, irregularly shaped planes of color in some of Picasso's later Cubist work...