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...Kornberg, the prize meant living up to his father's example: Arthur Kornberg won a Nobel for medicine in 1959. The Kornbergs are in good company--seven other sets of parents and children have won science's highest honor. The most famous was also the most prodigious: Marie and Pierre Curie won in 1903 (Marie won another on her own in 1911); then daughter Irène Joliot-Curie, along with her husband Frédéric Joliot, won in 1935. Who wouldn't pay to get a piece of those genes...

Author: /time Magazine | Title: Wild and Crazy Nobel Guys | 10/8/2006 | See Source »

...should allow for the explicit expression of love (sex) as least as much as it does the explicit expression of death (violence). And once upon a more adventurous time in movies, such a freedom of expression seemed imminent. In the late '60s and early '70s, as American directors like Arthur Penn (in Bonnie and Clyde) and Sam Peckinpah (in everything) pioneered the use of gaudy, picturesque images of violence, European directors like Bernardo Bertolucci (Last Tango in Paris) and Nagisa Oshima (In the Realm of the Senses) made the screen a place where the intimacies of adult couples could...

Author: /time Magazine | Title: Meet the F---ers | 10/6/2006 | See Source »

...show is the movie, as much as it can be: essentially, the story of King Arthur rounding up his Knights in quest of the chalice Jesus drank from during the Last Supper. It reassembles most of the familiar scenes (the Black Knight's joust, the taunting Frenchman, the Trojan Rabbit, gay Prince Herbert), lines (A: "He's a king." B: "How can you tell?" A: "He doesn't have sh-- all over him.") and shtick (the coconut shells in lieu of clip-clopping horses, the characters presumed dead who aren't, quite...

Author: /time Magazine | Title: Pythonostalgia! | 9/26/2006 | See Source »

...course, the signature Python tendency was to stop the action and question it, impudently and irrelevantly, in terms scientific ("Where'd Arthur get his coconuts?") or political ("Who elected Him king?"), before abandoning the sketch altogether. Python skits programmed their own self-destruction; they'd be aborted midway with no punch line in sight. Indeed, MP&HG ends with Arthur and his Knights cantering out of the Dark Ages into modern Britain, where the film sputters brazenly to its close. But a Broadway show moves irrevocably toward cues for applause, either at the end of a scene...

Author: /time Magazine | Title: Pythonostalgia! | 9/26/2006 | See Source »

...joke in Spamalot is that the whole thing has been reconfigured for a Vegas extravaganza - it'll feel right at home in Wynn Las Vegas, especially when King Arthur warns, "Remember, gentlemen: what happens in Camelot, stays in Camelot" - or, who'd have imagined it?, a cruise show. An audience member is brought on stage; confetti festoons the crowd; there's everything but a conga line out of the theater...

Author: /time Magazine | Title: Pythonostalgia! | 9/26/2006 | See Source »

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