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...SERIOUS ARTIST?...

Author: By Tyler G. Hale, CRIMSON STAFF WRITER | Title: Student Writers Reflect | 5/10/2010 | See Source »

Alex R. Breaux ’09, who has acted and collaborated with Cutmore-Scott several times, characterizes him as a theatrical renaissance man. “He is really a theater artist?? He has the drive, but also the charm to pull off mounting a production from its hatching of an idea all the way through casting, through rehearsals, and then really put on a good product,” Breaux explains. “He has that well-roundedness that you really need to make an impact in theater.” Breaux believes that Cutmore...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: Jack Cutmore-Scott ’10 | 4/27/2010 | See Source »

Lovely though the end result may be, it is difficult to get past the sense of guilt accompanying the release of these undead films. The question transcends aesthetic merit and becomes personal: does a significant contribution to the genre outweigh the ethical concerns of intruding on an artist??s personal work? every artist has the prerogative to decide which ideas to pursue. It’s a right as basic as keeping one’s thoughts to oneself, and to produce someone’s unfinished work feels, at some level, like an extremely personal type...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

Creative control over unfinished work is usually given to the artist??s family or friends—as is the case with Kubrick, whose son-in-law, Philip Hobbs, is pursuing the production of “Lunatic.” Though such people seem more likely than others to know the author’s wishes, too frequently they don’t seem to care. Allowing the director’s relatives to make decisions about the cast and crew is a crapshoot in terms of quality. Shared genes do not endow one with any sort...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

...growing more earnest, some of Wainwright’s compositions have reached a previously unexplored height of emotional and intellectual resonance, an important part of which is Wainwright’s commitment to the piano. More saliently, however, the overwhelming sentimentality of this latest album has blunted the artist??s edge and overshadowed his great musical talent...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Rufus Wainwright | 4/20/2010 | See Source »

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