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...guitar playing that takes the foreground to his haunting and melodic chant of “time precious time.” As the song progresses, both the listener and Buckingham can get lost in the waterfall of notes flowing from the strings, until finally the whisper of the artist??s voice fades out over muted tones. But “Gift of Screws,” unlike Nick Drake’s similar-sounding corpus, is not all moody sobriety; it’s also fun. In fact, the album is actually best when it?...

Author: By Roy Cohen, CRIMSON STAFF WRITER | Title: Lindsey Buckingham | 9/25/2008 | See Source »

Though the artist??s popularity has been on the rise, many students at the College said they had never heard...

Author: By Aditi Balakrishna, CRIMSON STAFF WRITER | Title: D.J. Girl Talk May Perform at Annual Harvard-Yale Pep Rally | 9/14/2008 | See Source »

...fourth and latest record, distributed by the label Illegal Arts, contained more than 200 unauthorized pieces of other artists’ work. The artist??s mash-ups earned his music the designation “a lawsuit waiting to happen” from The New York Times Magazine in June...

Author: By Aditi Balakrishna, CRIMSON STAFF WRITER | Title: D.J. Girl Talk May Perform at Annual Harvard-Yale Pep Rally | 9/14/2008 | See Source »

...Baudelairean myth of a mysterious alchemy between vice and lyrical vision, now look frivolous from the vantage point of this more cynical era. Over time, evil has lost much of its aesthetic appeal. Society has learned to distinguish between admiration for art and abhorrence of the artist??s moral shortcomings. If anything, we now succumb to the opposite temptation. Mediocre writers like Solzhenitsyn are spuriously aggrandized for their reputations as modern-day saints. The case of George Orwell provides a useful counterpart. An ultra-earnest author of wooden allegories, Orwell wrote clumsy prose with little grasp of character...

Author: By David L. Golding | Title: Mourning Alexander Solzhenitsyn | 9/14/2008 | See Source »

...researcher in the Harvard Stem Cell Institute. Koh thinks that the tissue images he looks at in his work are “beautiful.” To him, they’re not separate from his art. “When I play, I need to express the artist??s life experiences,” he says. Music and life are part of the same continuum, not separate from each other. Even science is an art for Koh—the art of “interpreting data.” Besides cellos and cells...

Author: By Roy Cohen, CONTRIBUTING WRITER | Title: Bong Ihn Koh ’08 | 4/29/2008 | See Source »

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