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...first came out of the artist,” she said. The master class that Neuwirth conducted the following day allowed for more time to fine-tune the smaller aspects of “Manson Trio.” Woodies explained that Neuwirth would help the students understand the artist??s vision and transform the piece into “something full-blown, complex, emotional, and physical.” During the class, Neuwirth explained how attention to detail would help clarify other steps of the choreography, reassuring the students with her contagious laugh and words of encouragement...

Author: By Olivia S. Pei, CONTRIBUTING WRITER | Title: Triple Threat Comes to Cambridge | 11/7/2008 | See Source »

...screening followed up on a lecture—in which Tan presented her more recent work—that had taken place at the Carpenter Center the preceding Thursday. Identity plays a central role in Tan’s work, which is not surprising considering the artist??s background. Born in Indonesia to a Chinese-Indonesian father and a Scottish-Australian mother, Tan grew up in Australia and now lives in Amsterdam. In “Kingdom of Shadows,” Tan explores how images help contribute to a sense of self. A former Nazi...

Author: By Madeleine M. Schwartz, CONTRIBUTING WRITER | Title: Identities Caught on Film | 10/31/2008 | See Source »

...Catherine D. Tuttle ’09 kicked off the evening with a solo performance of folk, jazz, and rock. She said in an interview after the show that female musicians face additional challenges. “There’s a lot of pressure as a woman artist??from how you look, to how you sing,” Tuttle said. “As a woman in this industry, it is so important to have a sense of camaraderie with other female artists.” The weekend’s concert...

Author: By Arianna Markel, CRIMSON STAFF WRITER | Title: Pub Promotes Women’s Music | 10/27/2008 | See Source »

...ceiling of the Paris Opera House. Society seemed to be preparing to paint my work for me. I could have obeyed; many, perhaps most, painters do. The prospect did not coincide with my desire.”Hantaï’s thought process, that of the artist??s struggle against commercialization, represents a long artistic tradition. The tradition of the street artist stems from a philosophy fundamentally at odds with American property theory. The illegal appropriation of surfaces for the work, first and foremost, alienates street art from the rest of the contemporary art world?...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: From the Street to the Web | 10/9/2008 | See Source »

...with his new album “MURS for President,” underground hip-hop icon MURS is trying to shake things up in his own way. It’s easy to connect the frustration of “MURS for President” and the artist??s inspi-rap of change with Barack Obama’s message of hope. But as similar as the two campaigns may be, “MURS for President” is fundamentally about the struggle of MURS (Making Underground Raw Shit) to maintain authenticity within...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: MURS | 10/9/2008 | See Source »

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