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Word: artiste (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...modest Victorian himself was confused on one point: just how far down did a blush extend? A Frenchman had once told him that some bashful artists' models blush clear to their toes, but that hearsay evidence was not scientific enough for the great fact collector. Darwin wrote to his friend and portraitist Thomas Woolner, begging the advice of "a cautious and careful English artist" on the subject. Thanks to him, Darwin was able to state that "with English women, blushing does not extend beneath the neck and upper part of the chest," but Woolner got little credit...

Author: /time Magazine | Title: Foreign News: Blush Unseen | 6/17/1946 | See Source »

Manhattan's 57th Street is where artist meets buyers in the U.S. The art dealers, who have to charge up to 50% commission to pay 57th Street's high rents, and the art critics, who have to scurry all season to cover the Street's scores of important shows, both regard 57th as the yardstick of art. Last week the scurrying slowed, the season waned, and dealers and critics sat back to review the "trends...

Author: /time Magazine | Title: Art: Straight Lines & Curves | 6/17/1946 | See Source »

Toscanini: Hymn of the Nations. Film debut of a great artist (TIME, April...

Author: /time Magazine | Title: Cinema: Current & Choice, Jun. 17, 1946 | 6/17/1946 | See Source »

Hurok obviously enjoys hobnobbing with his famous clients. Hot summer weekends he is apt to be lazying beside Marian Anderson's Connecticut swimming pool. He so admired his first big name artist, Feodor Chaliapin, that he followed him to Europe to get his business-and lost $100,000 on him. Once Chaliapin and Hurok, dressed in rags, spent a night in a Bowery flophouse. It was a gag on Chaliapin's part; Hurok saw to it that newspaper photographers found out about...

Author: /time Magazine | Title: Music: The Care & Feeding of Artists | 6/10/1946 | See Source »

...Minute Test. Hurok's own musical accomplishment consists in having once played the balalaika badly, which puts him in a class with Caesar Petrillo, who was bad on the trumpet. Hurok lets the public pick his artists. He spends hours in the box office, listening to what price seats customers ask for, to judge what traffic an artist will bear. During intermissions he slips quietly through the crowd, eavesdropping on customer comment. Says he: "When I discover an artist I sit in the audience just like the public. ... If you sit 25 minutes without squirming and your eyes...

Author: /time Magazine | Title: Music: The Care & Feeding of Artists | 6/10/1946 | See Source »

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