Word: artiste
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Dates: during 1940-1949
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That afternoon Churchill, who had just been ceremoniously saluted at home as an artist by Cartoonist Strube started out to paint. Four cars followed with newsmen and photographers. Churchill fled by motorboat and retired to his 15-room suite in the Grand Hotel. Next day he made amends by posing for bathing-suit photographs. (Observed Milan's weekly Oggi: "Churchill has very thin ankles, absolutely disproportionate to his weight . . . Nobody can say Churchill in a bathing suit is very attractive . . .") Then he made arrangements to go on a painting trip in a motorboat. It banged into a pier...
...junglelike quarter that lies across a turbulent stretch of the Tiber river quite apart from most of Rome. The Trasteverini think the separation is fine. They like their dizzy labyrinth of alleyways, the Queen of Heaven jail and the little shop where the baker's daughter and the artist Raphael lived and lusted 400 years ago. They also delight in the dark, heavy-bosomed beauty of their women, the deftly handled stiletto and heroic quantities of dry, amber Frascati...
...struggling young artist, Mexico's Escuela Universitaria de Bellas Artes had a good deal to offer. Housed in an ancient convent in the sunny, spired old town of San Miguel de Allende, 150 miles northwest of Mexico City, its cheap, comfortable living and picturesque setting got it wide publicity as a G.I. students' paradise (TIME, March 29, 1948). Over 100 U.S. veterans have flocked south to enroll. But during the past year, San Miguel's sleepy decorum has been shattered by one ruckus after another. Last week the school had more trouble than it could handle...
...Swiss Painter Paul Klee, as unfettered as a yodeler on the Matterhorn, gave his fellow artists some advice. If a literalist should look at one of their portraits, he told them, and say, "But that isn't a bit like uncle," the disciplined artist should reply, "To hell with uncle! I must get on with my building...
Anything served Artist-Philosopher Klee for bricks. Starting around 1900 with meticulous etchings and realistic portraits, he was soon collecting ideas for paintings from needlework, mosaics, carpets, runic stones, the scrawls of children and madmen. No matter how simple the material he borrowed, his perceptive, neurotic vision transformed it into something immeasurably sophisticated. He experimented endlessly with techniques, scratched designs on blackened glass, painted on burlap, mixed his media until it was impossible to describe a painting as oil, watercolor or tempera...