Word: artiste
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Dates: during 1960-1969
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...Johannesburg's Rand Daily Mail, Laurence Gandar, who was arraigned last week for, as he put it, "fulfilling the recognized duty of a newspaper." As Gandar saw that duty, it included publishing a 1965 expose of conditions in South Africa's prisons, re lated mainly by an artist and onetime air force lieutenant named Harold Strachan. During three years as a political prisoner, Strachan recounted, he frequently saw black prisoners whipped, kicked and tortured with shocks from an electrotherapy machine. The Mail collected an affidavit from Strachan, and sworn corroborating statements from two warders and two ex-prison...
...light of Levine's Coney Island is haunted by the shades of Manet and Prendergast. Yet in choosing a 19th century idiom to depict the fast-disappearing world of hand-labor shops and nostalgic memories of big-city beaches, Levine is, after all, doing only what any artist must-suiting style to subject...
...sketch of their work, as though guided by a sort of fire of inspiration, a certain measure of boldness: but afterwards, in finishing it, the boldness vanishes." The first sketch of which Vasari spoke was usually an oil sketch on relatively fragile paper or unprimed canvas. On it, the artist of the 16th, 17th and 18th centuries delineated his ideas, often in considerable detail, and submitted them to a patron for approval. The dash and daring all too often vanished when he transferred his design to an immense ceiling or wall. One reason: the sketch was the work...
...MOST general level, They use women and sexuality to symbolize whatever man is not, Mrs. Ellmann notes. Her idea is only partly developed, but its implications are extensive. Behind it lies Their ethic of the male writer. In art, the feminine is everything external to the artist--the incoherence and incomprehensibility of Nature. The writer must struggle against this all-encompassing enmity. Sexual capacity is equated with the capacity to write, and woman is what resists both...
...affects real women she trails off in feeble optimism. She argues that writing and opinions are moving toward a mode of indecision, a non-judging, antiabsolutist, amoral, particularized view of life in which no form the species can take is not somehow acceptable and in which the artist's aim is to become rather than to judge the other. The mode of Joyce, Sartre, Godard, drugtakers and anarchists, it excludes sexual stereotyping and indeed is a feminine mode in that it shuns ethical sweep for the underside of life that women have always been relegated to. (In contrast...