Word: artiste
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Dates: during 1970-1979
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...past two decades, Clyfford Still has enjoyed a reputation as the Coriolanus of American art. No other living artist has so vociferously loathed the art world as a system. None has managed to keep a closer control over the fate of his work. Since the 1940s, when he emerged as one of the founding fathers of abstract expressionism, Still has jealously guarded his output, releasing few paintings to collectors, rarely showing in private galleries, insisting on conditions of display that few museums were prepared to meet. Consequently, his farm outside Westminster, Md., houses most of his immense oeuvre; and though...
...less apparent in Still than anywhere else in abstract expressionism. Instead of going by fits and starts, testing and absorbing other art, Still's career gives the impression of monolithic solidity: he found his style early and stuck to it for more than 30 years. No other artist living today could seem, or be, more self-sufficient...
Modigliani is a portrait of the artist as a Montparnasse bum, or rather three: Modigliani's companions are his fellow painters and fellow flops-as the 1916 taste makers viewed them-Maurice Utrillo and Chaim Soutine. Utrillo (Ethan Phillips) is in thrall to two false gods, alcohol and his mother. Soutine (George Gerdes) is a color addict equally intoxicated by the stains on a butcher's apron and the veins of a plucked chicken. Led by Modigliani (Jeffrey de Munn), these Three Musketeers of the Night smash up cheap restaurants, cadge drinks, slash their canvases in frustrated rage...
...children's book illustrator and author who created the popular Little Tim storybook series; in London. Born in Haiphong, in what was then French Indochina, but reared in England, Ardizzone, whose style has been likened to Hogarth's and Rowlandson's, served as an official combat artist during World War II, before returning with pen and brush to less serious fare. He illustrated nearly 100 children's books; Magic Carpet, one of his best-known paintings, was reproduced by UNICEF for its collection of international Christmas cards...
...jealousy and violence with the detached tone of a narrator who just happened to be on the scene when the gun went off. At other instances he is a Kafkaesque master of the parable. At still others he is as comic and trenchant as Saul Bellow: a pretentious artist declares, "I must create. This is a physical need with me." A writer who consents to meet with a wealthy vulgarian is enticed with promises: "In the other world, a huge portion of the leviathan and a Platonic affair with Sarah, daughter of Tovim. On this lousy planet...