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...Sirk pastiche, being fed up with biopic clich?s and pieties, and trying radically to reanimate the genre. The trouble is that he does not escape these conventions in I'm Not There. He just dresses them in different clothes. Most basically, this is the same old-same old - visionary artist struggles successfully to realize his particular vision, gets famous, gets laid, gets in trouble with the whole celebrity thing, tries to escape the demands of his exigent fans (wow, do they hate it when he turns from the acoustic to the electric guitar at the movie's version...

Author: /time Magazine | Title: I'm Not There: Deconstructing Dylan | 11/21/2007 | See Source »

...calculates Alain Quemin, a researcher at France's University of Marne-La-Vallée, compared with 50% in the U.S. and 30% in Britain. In an annual calculation by the German magazine Capital, the U.S. and Germany each have four of the world's 10 most widely exposed artists; France has none. An ArtPrice study of the 2006 contemporary-art market found that works by the leading European figure - Britain's Damien Hirst - sold for an average of $180,000. The top French artist on the list, Robert Combas, commanded $7,500 per work...

Author: /time Magazine | Title: In Search of Lost Time | 11/21/2007 | See Source »

...General opened Pakistan's National Art Gallery in August, he was confronted with gutsy pieces tackling an array of provocative subjects - from burqas to madrasahs to militarism. He paused for a long time at Left Right, a video installation about the omnipresence of Pakistan's army by the young artist Hamra Abbas, who depicts soldiers patrolling land, sea and desert...

Author: /time Magazine | Title: Pakistani Art: Under the Gun | 11/21/2007 | See Source »

Govan has brought in new corporate sponsors and expanded the board to include such trustees as Barbra Streisand; Broad says trustee giving has tripled during Govan's tenure. Museum guards wore Magritte-style bowler hats for that exhibition and donned sunglasses for this summer's retrospective of neon artist Dan Flavin, which co-curator Govan brought to LACMA at the end of a world tour. "The Flavin exhibition was beautifully selected, installed and almost choreographed," observes artist Alexis Smith. "Its level of visual sophistication was doubly interesting because it was done not by a museum curator but by a museum...

Author: /time Magazine | Title: Thinking Out Of the Box | 11/19/2007 | See Source »

While he expresses particular interest in Latin America and Asia, given LACMA'S West Coast location, the museum has also recently made important acquisitions of work by such masters as 17th century painter Pietro da Cortona, early 20th century artist George Bellows and contemporary sculptor Richard Serra. Govan's notion of collecting iconic houses by such architects as R.M. Schindler, Richard Neutra and Frank Gehry remains under discussion, but Govan concedes it may not be realistic to expect such big-ticket donations. He seeks to preserve them, he says, but indicates as much interest in initiating the idea...

Author: /time Magazine | Title: Thinking Out Of the Box | 11/19/2007 | See Source »

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