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Noted hip-hop poet Kevin Coval came to Quincy House yesterday, bringing his professional artistic pedigree to a student-organized open-mic and slam poetry event that aimed to spur creative discussion of the Israeli-Palestinian conflict. Sponsored by the Progressive Jewish Alliance, the Society of Arab Students, and the Harvard Spoken Word Society, yesterday’s event marked an innovative attempt at using an artistic performance to address issues of faith and politics, according to Jason W. Schnier ’11, chair of the Progressive Jewish Alliance. “[The event] was conceptualized...

Author: By Malin S. Von euler-hogan, CONTRIBUTING WRITER | Title: Open-Mic Event Addresses Israeli Conflict | 4/14/2009 | See Source »

...large pieces of paper face one another in artist Sanford Biggers’ studio at Harvard. On one wall hangs the sketch of a cross-section of a slave ship (“I have no idea what that’s about,” Biggers says). On the other, a piece of brown wrapping paper lists some of Biggers’ current projects: a multi-venue installation in Philadelphia that will trace locations from the Underground Railroad, a sculpture and floor design for a new high school in the Bronx, a series of dance vignettes based...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Multifaceted Artist Biggers Dodges Simple Interpretations | 4/10/2009 | See Source »

...latest phenomenon in the recent surge of social interaction applications that have transformed the very idea of communication. A steady stream of constantly updated, readily available information has accompanied the emergence of an increasingly exhibitionist public. Moving beyond the sphere of interpersonal relations, this trend has crept into the artistic realm, raising questions about the status of art and its exhibition in society.Once predominantly a static creation relegated to the gallery or stage, art increasingly faces the same struggle as print media, grappling with the pressing need to remain relevant in a constantly changing world. Rather than succumb to archaism...

Author: By Denise J. Xu, CRIMSON STAFF WRITER | Title: The Web and Flow of Art | 4/10/2009 | See Source »

...suspicious, visage; the portrait recognized the inner life of its subject, which was something almost entirely new. Earlier, Michelangelo’s unfinished statues of slaves for the tomb of Pope Julius II also begin to reveal the psychological turmoil of their subject, but this Venetian school takes the artistic display of psychological depth to the next level, with massive canvases of deep emotional power, making possible the work of El Greco and Caravaggio.The exhibition is not arranged by strict chronology but rather thematically, and the most central room is devoted to erotic works (the room is entered past...

Author: By Alexander B. Fabry, CRIMSON STAFF WRITER | Title: Titian Tintoretto, Vernonese Awe at MFA | 4/10/2009 | See Source »

...music movement. “Like a lot of women’s work,” Williamson said, “it went unseen but not unsung.” In 1973, the singer’s talent and vision prompted her peers to seek financial and artistic independence from the industry. Her suggestion of an all-female record label culminated in Olivia Records, the first company of its kind. The unprecedented success of Olivia Records’ artists and those of similar labels led to the first female-only concert events, like the Michigan Womyn?...

Author: By Roxanne J. Fequiere, CONTRIBUTING WRITER | Title: Women In Music | 4/10/2009 | See Source »

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