Word: artistes
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Dates: during 1930-1939
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Almost unknown in the U. S., handsome young Artist Caviedes is no stranger in Madrid either to artists or socialites. A well-off son of a distinguished sculptor, he and his handsome young wife are frequently seen golfing at the country club, lunching at the Ritz. Ever since he was old enough to crawl, Hipolito de Caviedes has scribbled, scrawled, finally painted in his father's studio. Like most other young artists, he shares the current enthusiasm for murals, has done much to decorate his native city since the fall of the monarchy. Equipped with Caviedes murals...
...best known model prisons in the U. S., a great fresco panel, first of a series depicting The Cycle of a Woman's Life was just finished. Giggling, nudging, shrilling with excitement, the inmates in their brown-&-white-checked house dresses crowded round the small, serious artist with cries of "Ain't it purty...
Youngest daughter of famed Swiss Composer Ernest Bloch (TIME, April 23. 1934 et ante). Lucienne Bloch was born in Geneva in 1909. Her first ambition was to be an Alpinist. She never thought of being an artist until at the age of 11 she suddenly began illustrating "The Owl and the Pussy-Cat." Father Bloch, delighted, bought her a paint box, later sent her to the Cleveland School of Art. In Europe she first studied sculpture with Antoine Bourdelle, then painted at the Beaux Arts, felt acutely uncomfortable with both. It was only when she went to Rome that...
...department may feel that such work is the responsibility of Art Schools, Unfortunately only three per cent of the graduates of these schools are able to make living, and a degree from an Art School is useless in any other field. The artist of the future must protect himself with a college degree in case he does not succeed. The colleges must therefore be prepared to take care of this type of student providing him with all the facilities for creative work, and giving him capable instruction...
...laboratory' work in Fine Arts 1a should convince the department that the studio will be used. To adopt this plan and the others recommended in the preceding editorials would mean that Harvard could take care not only of the scholar, but of the collector and the creative artist as well...