Word: artistes
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Dates: during 1980-1989
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...Picasso is dead," trumpets Arianna Stassinopoulos Huffington in her new biography of the 20th century's most visible artist, Picasso: Creator and Destroyer. The book--and the concept behind it--is at one with the purpose of the other giant-killers, as it seeks to dismantle our comfortable and timehonored portrait of the artist...
...aside from facile parallels that Huffington draws between Picasso's treatment of his current lover and that woman's appearance in his work, there is no effort made to probe the source of Picasso's artistic wellspring. The biographer has taken Andy Warhol's dictum that everyone will be famous for 15 minutes too seriously, and, angered by Picasso's constant fame, she has tried to steal a few precious moments in the spotlight for herself at the artist's expense...
...graceless Chicago Sun-Times Building, resembling an aluminum-and-marble houseboat run aground, has long struck its beholders as an eyesore. Suddenly it has become the visual star of the Windy Cityscape. Deciding that the structure would be a good backdrop for his latest creation, titled Bess' Sunrise, Textile Artist Maya Romanoff adorned the building with 28 brightly colored canvas strips, each 6 ft. wide and 120 ft. long. Suspended from the seventh-floor terrace and hanging down to the edge of the Chicago River, the work offers a billowing spectacle of warm yellow-oranges and radiant blue- greens...
...David Juda of London's Annely Juda Gallery, one of a growing number of Western dealers specializing in Russian art. Several other Rodchenko works drew high bids, including the cubist-inspired Composition, 1916. The second highest price of $ the sale, however, was fetched by a contemporary Soviet artist, Grisha Bruskin, 43, who has been harassed by the KGB for displaying his paintings to foreigners. An anonymous buyer paid $416,000 for his Fundamental Lexicon, a witty but inconsequential series of 32 panels depicting statues of ordinary citizens in heroic poses...
...same word, "material," returns after many years, to reveal to the mature writer a blindness in the younger writer's understanding of the problem. Young Carver knew that material was a dangerous idea. He knew that putting life into art could be a tool of the artist's selfishness, and that it could slip into manipulation, self-flattery or exhibitionism. But the young Carver believed that irony could help. He believed that if Myers-Carver laughed at the Morgans, it would be all right if Myers-Carver's wife and their separation also leaked into the story...