Word: artistes
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Dates: during 1980-1989
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That the camera could achieve a distinctly poetic justice would be proved a few years later by Lewis Hine, a onetime photography teacher who worked with a reformer's sense of mission and an artist's eye. Riis' pictures were raw; Hine's were frank but tender, with none of Riis' occasional nose-holding attitude toward the poor. There is no pigeonholing in Hine's 1904 portraits of immigrants arriving at Ellis Island, no cliches of nationality or occupation. He knew that people who might not yet speak the language of their new home could still state themselves plainly...
...clarinetist's lyrical, emotional style. To this day, Woody models his own playing on Lewis' and speaks of him with a reverence he accords to only a handful of his culture heroes, including Willie Mays, Groucho Marx and Swedish filmmaker Ingmar Bergman. "He was a great, great artist on the clarinet," enthuses Woody. "He had that sort of sweet, soulful, just beautiful, beautiful sound...
...would be a mistake to see Woody Allen's obsession with the clarinet as an eccentric hobby or psychological crutch. In ways both direct and indirect, concrete and spiritual, his musician's ear and instincts have helped make him the remarkable artist he is in other domains. "Jazz is a perfect music for him," says Eric Lax, who is writing a book on Allen. "It hates authority. It is a quirky, individual style requiring great discipline to play right. It is all the things that fit his comic character." So play it again, Woody...
...with his social position. (He went to great lengths to qualify as a knight of the Order of Santiago, whose members would not accept him until the King, who loved his painter, made them do so by changing the rules of entry.) He studied under a rather dry, decorous artist named Francisco Pacheco, whose daughter he married. He made two trips to Rome, both financed by the King, who had some difficulty getting him back -- the first time because Velazquez had gone into an ecstasy of discovery (Rome, in 1630, was the world's capital of contemporary as well...
Velazquez's maturity is a sublime, intensive lesson in pictorial coding, and this, as much as anything else, has been the source of its fascination to other painters. In rendering appearances, every artist has a code of some sort -- a way in which the licks and smears of colored mud on cloth manage, seemingly without intervention from the viewer, to recompose themselves as hard shiny metal, warm flesh, wind-ruffled grass or the sweaty sheen of a horse's flank, all in the blink of an eye. But no artist seems as explicit about this legerdemain as Velazquez...