Word: artistes
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Dates: during 1990-1999
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...show of early works on paper by the German artist Sigmar Polke, which runs through June 16 at New York City's Museum of Modern Art, is a bit of an anticlimax. Much has been expected of Polke. He is one of the two painters--the other being Anselm Kiefer--who rose to the top of the enormously promoted pack of "new" German artists in the 1980s and remained there when others dropped away or became, like Georg Baselitz, with his crude upside-down figures, formulaic bores...
...contrast between Kiefer and Polke couldn't be sharper, of course. Kiefer (whose drawings were recently shown at New York City's Metropolitan Museum of Art) is oratorical, Wagnerian; he is a flat-out mythomane, dedicated to the Sublime, the Enormous and the Ultra-German; a marvelous artist at his best and at his worst a Black Forest ham. Polke is thinner, weirder and more elusive. His work--whose basic nature developed during the period covered by this show, from 1963 to 1974--is a hard-to-read image haze formed by the overlay of Pop art on Germany...
...been languishing in bondage before!--by reviving, once more, the spirit of Dada that breathed through such movements as the Fluxus group in the '60s. He's the arch-trickster, mocking all art styles, sending up the dreaded Canon. (The fact that no work of art by a famous artist these days can safely be considered really and truly outside the Canon seems not to have dawned on those inside the Museum of Modern Art.) His strategy, according to MOMA, is to subvert "the elitist mythologies of artistic creation and production." And so forth. Such claims are counters...
CEZANNE Bidder pays a whopping $60.5 million for artist's fruit pic. Guess he liked them apples...
DIED. Saul Steinberg, 84, artist and cartoonist; in New York City (see THE ARTS...