Word: artistes
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Dates: during 1990-1999
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Anthony says there are still many stereotypes in the media about Latin performers. The other day, he recalls, he was watching 25 Lame (an MTV show about bad videos), and one of the hosts kept putting on a sombrero when a video by a Latin artist came on. Anthony also feels there's not enough effort put into promoting more traditional forms of Latin music...
...more so than others, and Saul Steinberg, who died last week at 84, was very much so. There really was no one like him in the annals of American art. What was so remarkable about him was not his genius as a cartoonist or his qualities as a "fine" artist, but the way he combined both within the same body of work. He didn't flip between a serious and a funny side. Both were intrinsic to the same images, which entranced his audience for decades. But this also delayed his recognition as a major American artist. Even...
...Rise and Fall of the City of Mahagonny: flat horizons broken by buttes or movie palaces, bulbous baroque autos, all-leg girls and cowboys teetering on their high heels like stilts. Never vagrant or fussy, always economical, his line described conundrums that were at the heart of an artist's identity concerns: a little image, for instance, of a man with a pen whose drawn nib is drawing himself. To Steinberg, each drawing remade its author. It was both a mask and a card of identity, and a proof of existence as well. Never an expressionist, he liked, he said...
...artist of immense detachment, he was also capable of the most cutting insights. His New York streets populated by freaks, stone-faced cops and ghastly youths of both sexes in Mickey Mouse hats are proof of that: the Mickey Mouse face, he told an interviewer, is "without character or age; for me it represents the junk-food people, the TV children, the spoilt young ones who have all their experiences, inferior as they are, handed to them on a plate." Nobody could say Steinberg was a particularly warm or approachable person. He loathed mediocrity and made no secret...
With some 400 recordings of Beethoven's five piano concertos currently listed, even Ludwig's biggest fans must have trouble getting excited about new ones. Except when they are played by Alfred Brendel, an artist whose interpretive mastery of the composer continues to ripen. In his latest release, Beethoven: The 5 Piano Concertos (Philips Classics), Brendel teams with conductor Sir Simon Rattle and the Vienna Philharmonic in exhilarating performances that blend vitality, expressive breadth and, particularly in the five slow movements, spellbinding beauty...