Word: artistes
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Dates: during 1990-1999
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Eighty years later, Chaplin is still here. In a 1995 worldwide survey of film critics, Chaplin was voted the greatest actor in movie history. He was the first, and to date the last, person to control every aspect of the filmmaking process--founding his own studio, United Artists, with Douglas Fairbanks, Mary Pickford and D.W. Griffith, and producing, casting, directing, writing, scoring and editing the movies he starred in. In the first decades of the 20th century, when weekly moviegoing was a national habit, Chaplin more or less invented global recognizability and helped turn an industry into...
...time when marketing controls the industry. That he has remained the most powerful filmmaker in the world during both periods says something for his talent and his flexibility. No one else has put together a more popular body of work, yet within the entertainer there is also an artist capable of The Color Purple and Schindler's List. When entertainer and artist came fully together, the result was E.T., the Extra-Terrestrial, a remarkable fusion of mass appeal and stylistic mastery...
...millions of fans worldwide, these albums mapped a path through the puzzling and sometimes scary '60s. The paths of Lennon and McCartney, however, were diverging drastically. Each took a wife (John married Japanese avant-garde artist Yoko Ono, and Paul wed American rock photographer Linda Eastman) and drifted even farther apart, Lennon growing bitter, McCartney adopting the air of the contented family...
...hand, my colleague's view of Sinatra as scourge of baby boomers--the anti-Judy Collins, if you will--is a crude caricature of a complex artist, as reductive as any neo-swinger's fetishistic prattling about the man's way with a pocket handkerchief. On the other hand, it is a caricature I too used to believe...
Despite such crushing disappointments, his output was always prodigious, prolific, protean, profound and even, in his self-portraits, prognathous. An artist of staggering versatility, Glimp refused to be chained to one medium. He turned out paintings, novels, plays, operas, ballets, film scripts, poems, TV commercials, recipes, roadside billboards, monogrammed handkerchiefs, rebuses, a surrealist comic strip titled Emil the Talking Bladder, and the gigantic, brightly colored mounds that he wittily called Alps--so massive that the plaster of Paris used to construct them had to be poured over four-story buildings, often trapping the hapless occupants inside...