Search Details

Word: artistes (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...task of capturing all this energy on a cover was passed to Robert Rauschenberg. The American artist, whose imagistic collages are chock-full of cultural and historical allusions, created the special cover over four intense days and nights in his studio on Florida's Captiva Island. "There's no such thing as power and politics without personalities," says Rauschenberg, "and power and revolution do not exist with hands in pockets. I hoped to get that across in my cover...

Author: /time Magazine | Title: To Our Readers: Apr. 13, 1998 | 4/13/1998 | See Source »

...spectacular 4-min. parting of the Red Sea--a sequence that is taking an estimated 300,000 man- and computer-hours to complete. The overall visual style is inspired by the epic filmmaking of director David Lean (Lawrence of Arabia), the ethereal biblical illustrations of 19th century French artist Gustave Dore and the paintings of Impressionist Claude Monet, which use contrasting strokes of color to create a sense of light and space. "We want the audience to respond to our film the way we respond to fine art, not to a comic book," says art director Kathy Altieri. None...

Author: /time Magazine | Title: Cinema: A Peek At The Promised Land | 4/13/1998 | See Source »

...great 19th century French realist Gustave Courbet once said that an artist ought to be able to render something--a distant pile of sticks, say, in a field--without actually knowing what it was. The hyperrealist Chuck Close has gone one better than that. In 1971 he painted the face of his father-in-law Nat Rose. The huge, minutely detailed likeness was bought by a Maryland collector who lent it to the Whitney Museum in New York City. There it was seen by an ophthalmologist who, not sure whether he was intruding or not, got a message to Close...

Author: /time Magazine | Title: Art: Close Encounters | 4/13/1998 | See Source »

...unlikely that Close's current retrospective at New York City's Museum of Modern Art will produce any further medical revelations, but Close emerges from it as a remarkable artist all the same, and well served by a couple of excellent interpretative essays by curators Robert Storr and Kirk Varnedoe. Close's reputation as a stick-to-it, intensely focused, all-round-good-guy of the American art world has been gathering strength for years; and since 1989, when he was paralyzed from the neck down by a catastrophic stroke and had to learn to paint all over again from...

Author: /time Magazine | Title: Art: Close Encounters | 4/13/1998 | See Source »

Chuck Close has to be the most methodical artist that ever lived in America. He goes at the canvas with all the afflatus of a silkworm eating its phlegmatic way across a mulberry leaf. His way of painting, once set up, becomes an effort of pure transcription that relocates the acts of imagination way back in the roots of its system, and spends months on it. Essentially, what he does is copy faces large from small photographs. "Large" means enormous--canvases 8 ft. or 9 ft. high, filled with the staring face of someone you probably don't know...

Author: /time Magazine | Title: Art: Close Encounters | 4/13/1998 | See Source »

Previous | 87 | 88 | 89 | 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | 107 | Next