Word: artistic
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Lieberman owes much of her exposure to the influences that would inform her sculpture and video work to Amie Siegel, an artist and professor in VES. Her time as studio assistant to Alison Knowles—a Radcliffe artist-in-residence famous for her involvement in the Fluxus art movement of the 1960s alongside Marcel Duchamp and John Cage—helping to prepare lectures, participating in Fluxus performances and contributing to works exhibited in Potsdam’s Fluxus Museum, also impacted Lieberman’s work...
Lieberman attributes the most influence, however, to Helen Mirra, the artist and VES professor who taught Lieberman’s first sculpture class and advised her thesis this year. Mirra pushed the conceptual boundaries of Lieberman’s art, particularly regarding formal and material decisions in her sculpture work. “She and I are really different, but I think in the way she approaches talking about art, her work and other people’s work, we speak the same language,” Lieberman says. “I like the ways she critiques...
...Thursday, Catherine B. Lord ’71—a visual artist, writer, curator, and intellectual focusing on queer theory, feminist history, and colonialism—will receive the Spring 2010 Harvard Arts Medal. Within a matter of days she will publish an article arguing that Valerie Solanas, better known as the woman who tried to assassinate Andy Warhol in 1968, should be taken more seriously as a voice in the feminist movement...
...selection panel favored Lord for the interdisciplinary nature of her career—which, in their view, is emblematic of the modern artist. “I love the way she approaches art,” says Helen Molesworth, the chief curator of the Institute of Contemporary Art and a member of the selection panel for the Arts Medal this spring. “She does so from the position of someone who makes art herself, from the position of someone deeply immersed in the history of ideas or the history of theory, and she is also an extraordinary writer...
...reflects the artist. In the estimation of those who know her, Vu is a deeply sincere, rooted, and kind individual. This unique individuality stands out in Harvard’s competitive culture of networking and self-promotion. Vu is neither averse to nor solely motivated by exhibiting her work. Beattie commends this quality, noting that it speaks to Vu’s intense, personal engagement with her art. “[Vi is] not terribly moved by exhibition. She’s looking for a certain kind of standard… a more personal pursuit of something truly good...