Word: artistically
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Dates: during 1930-1939
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...Yourself A Balloon," sung while uncomfortably suspended over the audience in an electrically lighted quarter-moon, will be missing the high point of this comedienne's career. She is also pretty funny as a noisy first nighter, a haughty Theatre Guild box-office clerk, a strip tease artist. Best tunes: Now (Vernon Duke & Ted Fetter), Little Old Lady (Hoagy Carmichael & Stanley Adams...
...ever seen. Forty-seven pictures were on view, borrowed from such diverse sources as Buckingham Palace, the St. Louis Art Museum, Harvard University, Lord Brabourne, the London Foundling Hospital, Hartford's Atheneum, and a Mr. Henderson Inches. The Metropolitan's Copley show traced the artist's development from his stiff but forthright colonial portraits of the 1760s to the slick and unctuous set pieces produced by the Tory expatriate about...
...long, successful career, Artist Copley never lacked money. Born when Boston was the most prosperous city in North America, his childish bent for drawing was encouraged by his stepfather, Schoolmaster Peter Pelham, whose shingle advertised: "Reading, Writing, Needlework, Dancing, and the Art of Painting upon Glass." Peter Pelham was also a mezzotint engraver of real ability, made able portraits of Cotton Mather and the rest of Boston's thundering divines. Young John Copley worked with him, was welcomed in Boston's best houses. At the age of 16 he was already known as a skillful portraitist...
...Artist Copley married well, lived and worked in Boston until he was 36, entertaining the quality, living in a fine house with an eleven-acre farm on Beacon Hill. He had had quite a success with a portrait of his half-brother playing with a squirrel, which he had shipped to the London Society of Artists on the advice of his friend, Artist Benjamin West.* This, the first picture of John Singleton Copley to attract international attention, was back in the Metropolitan last week, lent by a heavily anonymous owner...
...Artist Copley continued to ship pictures to London where they won great praise from Sir Joshua Reynolds and his group, but Copley did not move to London until 1774. In London his work lost the crude color and simple, direct line of his colonial period. On the other hand, Copley was able to indulge to the full his fondness for painting satins, velvets, rich laces. He began to compose grandiloquent historical scenes like The Siege of Gibraltar, The Death of Lord Chatham...