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Word: artistically (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Broadway 1776. There is a degradation of intellect, taste and dignity about this musical, which presents history as painted by a sidewalk sketch artist. The Peter Stone book depends on the audience to expect the expectable and to bring along its own worn coloring crayons to fill out the roles...

Author: /time Magazine | Title: Television: May 9, 1969 | 5/9/1969 | See Source »

...traditions of Italian poetry. Glauco Cambon's study of Ungaretti in the Columbia series recalled the war poems as "flashes of insight bursting through the shell of established prosodic convention to capture the immediacy of inner experience." And Ungaretti himself reflected (in an essay titled "The Mission of the Artist") on the extent to which his culture has been wounded by the damages of war: "The recollection of iniquity and ruin lodges atrociously in our flesh and in our souls...

Author: NO WRITER ATTRIBUTED | Title: Giuseppe Ungaretti | 5/7/1969 | See Source »

...resorts to idiomatic mimicry as an expressive inheritance rather than as the perfect means of musical expression which inner necessity dictates. Eclecticism is consequently faded and diffuse instead of directed towards precise statement. The work of an eclectic laborer cannot possess independent life, whereas the work of the derivative artist cannot possess anything else. This was what T.S. Eliot meant when he said that immature poets borrow while mature poets steal. Stravinsky's Pulcinella is derivative, Poulenc's Gloria eclectic...

Author: By Chris Rochester, | Title: New Music | 5/5/1969 | See Source »

...Southernness is right: "A homogenization has taken place. I'm not sure Faulkner's 'South' still exists, it exists only as a memory. But unless I still smelled the country I know so well, I wouldn't have chosen to write..." What doesn't show is the artist's sensitivity...

Author: By Peter D. Kramer, | Title: Styron at Winthrop | 5/5/1969 | See Source »

Japanese printmakers eliminated the insignificant partly as a matter of economic necessity. The making of a hanga was a laborious process. First, the artist brushed his design onto mulberry paper. Then the drawing was glued to a cherry-wood block. Next, two engravers incised the design upon the block. Several black-and-white prints were made from it, and these were then glued to other blocks that were incised in turn so that each could be used to print a single color. In the early 18th century, print-makers were largely limited to various vegetable-based inks...

Author: /time Magazine | Title: Graphics: Unknown Masters in Wood | 5/2/1969 | See Source »

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