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This impulse to take stock is one reason why the Museum of Modern Art (MOMA) in New York City is opening a retrospective this week devoted to Jeff Wall, a Canadian artist who started making staged pictures around the same time as Sherman. (The Wall show continues at MOMA through May 14, then travels to Chicago and San Francisco.) In 1977, when he was 31 and teaching art history and studio practice in his hometown of Vancouver, Wall took his family on a trip to Europe, where he spent a lot of time looking at the old masters...

Author: /time Magazine | Title: Photography: If You Build It They Will Come | 2/22/2007 | See Source »

Wall talks freely about his debt to filmmaking, his desire to achieve the beguilements of cinema. (One day someone will have to attempt a history of cinema-envy in the arts.) Some of the photographers who make staged images have virtually become directors. The American artist Gregory Crewdson operates like a small studio. He conceives his pictures, casts them and then has complicated sets constructed and lit by large crews. Klieg lights and fog machines are involved. Like a good director, he doesn't even always get behind the camera himself. He's directing--somebody else can click the shutter...

Author: /time Magazine | Title: Photography: If You Build It They Will Come | 2/22/2007 | See Source »

Crewdson has made some fascinating pictures, enigmatic scenes of puzzlement, regret and frustration. But for an artist, an infatuation with movies can be a tricky thing. He made a wrong turn with the Dream House series he worked on from 1998 to 2002, where for the first time he recruited famous faces to play his people. No doubt getting Gwyneth Paltrow and Philip Seymour Hoffman to appear in your photographs brings you enhanced market cred. Put Julianne Moore in front of your camera, and you're practically doing a Vanity Fair shoot. Let's assume that Crewdson also hoped that...

Author: /time Magazine | Title: Photography: If You Build It They Will Come | 2/22/2007 | See Source »

...community took notice. Even more exceptional, however, was the method used to authenticate it.While art scholars argued over the aesthetic aspects of the painting, a forensic art expert named Peter Paul Biro found a more material way to answer the question of authorship. Instead of looking for a vague artistic “fingerprint” of Pollock’s style, he found a literal fingerprint on the back of the canvas that matched one on a blue paint can in Pollock’s studio.Years later, in 2002, a man named Alex Matter discovered a stack...

Author: By Marianne F. Kaletzky, CRIMSON STAFF WRITER | Title: Potentially Pollock? | 2/22/2007 | See Source »

Stefan P. Jackiw ’07, a Music concentrator and Artist Diploma candidate at the New England Conservatory, is an internationally renowned violin soloist, having performed with the Boston Symphony Orchestra, the Philharmonia Orchestra in London, and the Baltimore Symphony Orchestra, among others. A Boston native, Jackiw will be performing this week with the Boston Philharmonic Orchestra, under the direction of Benjamin Zander, whom Jackiw has known since he was 16. Focusing on classical performance, Jackiw has played the violin since he was a child. 'I started when I was four...

Author: By Sylvia A. Castillo, CRIMSON STAFF WRITER | Title: SPOTLIGHT: Stefan P. Jackiw '07 | 2/22/2007 | See Source »

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