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...belong in a modern art museum? Designed to be sat and slept on rather than scrutinized, these textile treasures, which are typically stacked high to connote social standing, delightfully confound our expectations of contemporary art. So how does Finau Mara's exquisitely woven baby mat fit with, say, British artist Tracey Emin's unmade bed? It was exactly this outsider status that made the QAG's curator of contemporary Pacific art, Maud Page, excited about bringing such material into a gallery. As she puts it, "How can we deal with the rest of the Pacific in a meaningful...

Author: /time Magazine | Title: Perfect Mats | 1/3/2007 | See Source »

...audacious as a movie full of penguins seemed, Hollywood animators had been putting wildlife through the hoops since the days of the Road Runner and Pep? Le Pew, just after World War II. Perhaps not coincidentally, artist Chuck Jones was a particular favorite of the young George Miliotis, growing up the son of Greek immigrants in the town of Chinchilla, Queensland. But when it came time for Miller to concoct his first purely animated feature half a century later, the greatest inspiration came not from Warner Bros. but from wildlife documentaries. Tickled by the fact that Antarctica's emperor penguins...

Author: /time Magazine | Title: Rare Bird | 1/3/2007 | See Source »

...first black artist with his own network TV show, Cole was a jazz pianist whose voice was too lyrical and intimate to be shut up. He put that silky, highly palatized tenor to splendid use in this collection, which was everybody's second Christmas album. (You couldn't play Bing all the time.) Like Crosby, Cole mixed the religious and the secular songs, his vocals lending a silky cohesion to the enterprise. Best remembered is "The Christmas Song," by Robert Allen and Mel Torme, which Nat first recorded in 1946 and made his own. He had us at "chestnuts...

Author: /time Magazine | Title: The 12 CDs of Christmas | 12/22/2006 | See Source »

...money of the hundreds of new millionaires that China's boom has created come together, it could push prices for Chinese art to even more dizzying levels. "You are already seeing works that sold for a few thousand dollars being bought for $50,000, $60,000, $70,000," says artist and Beijing gallery director Zhao Gang. "And right now there's no end in sight." He cites the case of Zeng Fanzhi, until recently a relatively unknown artist. "Two years ago, I was selling his work for $10,000 for a large painting. The other day someone offered...

Author: /time Magazine | Title: The Great China Sale | 12/17/2006 | See Source »

...purchase of a large painting by Zhang Xiaogang at an Oct. 15 London auction by British collector Charles Saatchi suggests the tide of interest from overseas will continue to rise. Saatchi paid about $1.5 million for one of the artist's Bloodline series. Still, New York?based collector Larry Warsh believes he got a good deal. "Saatchi is coming in late, but he's important because people follow him," says Warsh, publisher of the magazine Museums and an enthusiastic advocate of contemporary Chinese art. "It will soon prove to be a bargain." Indeed, that prediction may already have come true...

Author: /time Magazine | Title: The Great China Sale | 12/17/2006 | See Source »

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