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...upside-down it's a pendulum on a clock. This is hands-on entertainment (and education) in which part of the pleasure is physically rotating the book to follow each letter's permutations. For adults, Ernst's geometric designs and striking hues may evoke the color-field experiments of artist Josef Albers. Kids will be more interested in the way an upside-down A becomes a drippy ice-cream cone or a sideways E turns into an electric plug. Ernst's ingenuity is equal even to the challenge of letters that don't change when turned, like O (a bagel...

Author: /time Magazine | Title: A Gift Bag of Children's Books | 12/17/2004 | See Source »

...writing songs for his second album, stepped into the Mississippi and drowned. Now Buckley has two flourishing careers. His pretty face and early death have made him a cult hero, while his songs - or one of his songs - have turned him into TV's hottest sound-track artist, the bard of the Very Special Episode. The cult came first, and it feeds off more than one tragedy. Buckley's father, '70s folk singer Tim Buckley, abandoned his mother, pianist Mary Guibert, before Jeff was born, and father and son ended up meeting just once, in 1975, two months before...

Author: /time Magazine | Title: Keeping Up the Ghost | 12/12/2004 | See Source »

Performing at the event was a wide variety of very talented and eclectic poets, singers and rappers from the Harvard campus and the Cambridge area. Some of the professionals from outside of Harvard included witty spoken word artist Ryk McIntyre, who spoke about the indignity of the phrase “what doesn’t kill you only makes you stronger.” McIntyre finished his tirade on the popular consolation with the words, “the ‘makes me stronger’ part is up to me,” much to the audience?...

Author: By Mary CATHERINE Brouder, CONTRIBUTING WRITER | Title: HipHOP Benefit Provides Proceeds to Boston’s Homeless | 12/10/2004 | See Source »

According to Sarah R. Lehrer-Graiwer ’05, who organized the exhibition, each artist was familiar with the others’ pieces before they began (though they did not work on the actual project together). In addition, they had seen the gallery and understood the challenges they would face in designing for such a room. “It’s all in response to the space and to their knowledge of the other artists’ work,” she says...

Author: By Marianne F. Kaletzky, CONTRIBUTINGWRITER | Title: ‘Table’ Tackles Space Perception | 12/10/2004 | See Source »

Saltzman describes the frieze as a way of exploring “issues within shape and beyond shape,” citing folk artist Emory Blagdon’s installation “The Healing Machine,” as a significant influence. People are represented through triangles of multicultural construction paper (a material stemming from multicultural crayons used to render different skin tones), while the brighter top row alludes to childhood learning experiences...

Author: By Marianne F. Kaletzky, CONTRIBUTINGWRITER | Title: ‘Table’ Tackles Space Perception | 12/10/2004 | See Source »

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