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...amazingly intimate, as if, yes, you yourself are curled up in bed with Beckham. I think I can speak for all 12 of us in the room when I say that this is a mighty fine place to be. Taylor-Wood is a leading figure in the Young British Artists' movement - the most promising young artist at the 1997 Venice Biennale, a Turner Prize nominee in 1998, and the youngest artist to be given a retrospective at the Hayward Gallery in London. Although the title of her Beckham portrait winks at Michelangelo's most famous sculpture, she says her inspiration...

Author: /time Magazine | Title: In Bed with Beckham | 5/2/2004 | See Source »

...crowd for being “tired,” blazing through half a verse of “Break Ya Neck” before drifting off into incoherency, swept away by cheering—that was the act. It’s about the only honest show an artist who’s spent his life impressing everyone, yet being mysterious at the same time, could...

Author: By Ryan J. Kuo, CRIMSON STAFF WRITER | Title: Busta Brings Catchy Rhymes and Good Times to Harvard | 4/30/2004 | See Source »

Fuerza Latina president Felipe A. Tewes ’06 said that Sanz’s visit to Harvard helped to unify the Latin community. “To me, it attests to the Latin presence here that we got an artist of [Sanz’s] caliber. The community is affirming itself, the power and unity of Latino organizations on campus,” he said...

Author: By Annie M. Lowrey, CONTRIBUTING WRITER | Title: Latin Pop Icon Visits Harvard | 4/30/2004 | See Source »

...MP3s are practically a bodily extension. If music—not just the physical medium, but the expressive content—can “belong” to a person, can be attached to a self, then it naturally follows that criticizing the artist is like criticizing its fans...

Author: By Ryan J. Kuo, CRIMSON STAFF WRITER | Title: Living for the Future | 4/30/2004 | See Source »

...recently articulated something that I’d previously been grappling with—the suggestion that music can be design and not art. He was referring to techno and dance culture, where quality corresponds on most levels to functionality, how well a track can create physical synergy between artist and audience. Tracks are DJ tools, product rather than artwork; performances are DJ sets, ephemeral rather than everlasting moments. Both signify a global rather than a singular worldview which encapsulates millions of individuals. You don’t embody the music as much as you’re embodied within...

Author: By Ryan J. Kuo, CRIMSON STAFF WRITER | Title: Living for the Future | 4/30/2004 | See Source »

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