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Word: artistically (lookup in dictionary) (lookup stats)
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...Lehrer-Graiwer says this is probably her favorite work in the show. “I’m very close to the artist,” she says, “and I love the way the intimate portraits point to the idiosyncrasies, the minute observations so crucial in life...

Author: By Jayme J. Herschkopf, | Title: Mather’s Three | 3/19/2004 | See Source »

...artist that Lehrer-Graiwer feels is “in a world of his own,” is Robbie Kinberg, whose “40 never before available words” are in a small case in the corner. Jack first asked when she saw this late addition to the exhibit, “Is that even part of our show...

Author: By Jayme J. Herschkopf, | Title: Mather’s Three | 3/19/2004 | See Source »

...artist that Lehrer-Graiwer feels is “in a world of his own,” is Robbie Kinberg, whose “40 never before available words” are in a small case in the corner. Jack first asked when she saw this late addition to the exhibit, “Is that even part of our show...

Author: By Jayme J. Herschkopf, CRIMSON STAFF WRITER | Title: Mather’s Three Columns Exhibit Awes and Delights | 3/19/2004 | See Source »

...doors - some of the best work in the Biennial is as still as a painting. Indeed, Rosemary Laing's latest suite of photographs, One Dozen Unnatural Disasters in the Australian Landscape, sits charmingly alongside a new exhibition of the colonial painter John Glover. If his A View of the Artist's House and Garden, 1835, shows how Glover tried to plant a corner of England in the wilds of Tasmania, so Laing's Burning Ayer #1, 2003, illustrates a similar impulse to Europeanize the Outback. Here the photographer has shot a mountain of Ikea-type furniture dusted in ocher...

Author: /time Magazine | Title: Not Dying, Changing | 3/17/2004 | See Source »

...photography is dead, it has never looked more beautiful. And if David Hockney were to visit Adelaide, he would probably stop dead in his tracks before one of Liu Xiao Xian's startling Lamda prints. For Liu's Home series, the Beijing-born, Sydney-based artist has Photoshopped Chinese family portraits before painted backcloths of places like the Summer Palace and Tiananmen Tower, together with larger backdrops of tourist sites such as Buckingham Palace and Sydney Harbour. With these digital dioramas of hope and home, Liu suggests photography's infinite possibilities, not its death. Here Hockney's worst nightmare...

Author: /time Magazine | Title: Not Dying, Changing | 3/17/2004 | See Source »

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