Word: artisticisms
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Dates: during 1960-1969
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MAX OPHULS' camera motions create the famous 'romanticism' of his films. The pans and traveling shots of The Exile (1947) don't just follow his characters; they give an extraordinary grace and sweep to the characters' motion through their physical surroundings. The shift from a male to a female protagonist...
The heroine of Lola Montes (1955), Ophuls' last and greatest film, has stopped--yet she continues to live, by force of memory and will in an artistic creation. Hired at the end of her life by the Mammoth Circus, she is alternately forced and persuaded by its ringmaster to recall...
Both stylistically and thematically this fragmentation of the film's progress defeats Lola's imprisonment (present and in memory) in space. The time of Lola Montes' flashbacks is willed into being. Though in the circus she is at the end of her life physically and morally, she can by an...
Vision to Inspire. Any director must master formidable complexity. He must be adept at sound and camera work, a soother of egos, a cajoler of artistic talent. A great director has something more: the vision and force to make all these disparate elements fuse into an inspired whole. In The...
STRATFORD, CONN.--The new production of Henry V, as conceived and directed by Michael Kahn, never fails to hold the attention. It is, however, essentially a wilful distortion and cheapening of Shakespeare's play. Last season Kahn, with daring and imaginative updating, achieved the seemingly impossible by turning the inferior...