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Combine artistic success with the fact that he rarely strikes out commercially and it's no surprise that Rubin is also highly sought after by record companies. He's currently discussing a role as co-chairman of Columbia Records. A Rubin associate says, "Negotiations are going on, but there's...

Author: /time Magazine | Title: Rick Rubin: Hit Man | 2/8/2007 | See Source »

Like a provocative lecture packed with unanswered questions, “Double Hung I,” the first of a two-part exhibition of student artwork at the Carpenter Center, left me yearning for resolution. “Double Hung I” intriguingly dangles conceptual ideas within viewers?...

Author: By Lee ann W. Custer, CONTRIBUTING WRITER | Title: Double Hung | 2/8/2007 | See Source »

Elaborating on her artistic vision, Vincent argues that opera isn’t as high brow as it may seem.

Author: By Emily G.W. Chau, CRIMSON STAFF WRITER | Title: SPOTLIGHT: Caitlin C. Vincent '07 | 2/8/2007 | See Source »

I think that theatrical productions often get bogged down with artistic snobbery. Opera, in particular, has a reputation for being all snootiness: only the most intellectual people can truly appreciate the beauty of opera, etc. I couldn’t disagree more. In the end, all theater is about emotion...

Author: By Emily G.W. Chau, CRIMSON STAFF WRITER | Title: SPOTLIGHT: Caitlin C. Vincent '07 | 2/8/2007 | See Source »

But Valencia's biggest selling point is, quite simply, the talent it has attracted. Classical music legend Lorin Maazel is the opera company's music director and Mehta is its orchestra director, but Helga Schmidt, the former artistic director of London's Royal Opera House, is the Palau's artistic...

Author: /time Magazine | Title: Valencia's Big Bet | 2/6/2007 | See Source »

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