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Courses such as Culture and Belief 12 can compel its students to come to an individualized understanding and expression of a certain art. For that reason, the class and others like it are not for the faint of heart. As Professor Asani says: “Those [Harvard students] who...

Author: By Catherine A Morris, CRIMSON STAFF WRITER | Title: Exposing the Risk-taking in Art-making | 4/27/2010 | See Source »

Amidst involvement in such an extensive number of productions and performance groups, Bendorf has been able to find two main points of artistic focus: Stephen Sondheim and Gilbert & Sullivan. She had a lead role in a HRG&SP production her freshman fall, and subsequently joined the company’s...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Christine Bendorf ’10 | 4/27/2010 | See Source »

Many members joined as inexperienced dancers who were simply eager to experience one form of Mexican culture. However, BFA’s Arts First performance combines the group’s cultural and artistic merit. “We’re usually considered a cultural organization, and this time...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: Ballet Folklórico de Aztlán | 4/27/2010 | See Source »

Sondheim was instrumental in what Bendorf considers her most positive artistic experience on campus—performing the role of Johanna in “Sweeney Todd” during her sophomore spring. “It really felt like my first show that could be professional,?...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Christine Bendorf ’10 | 4/27/2010 | See Source »

YM: I sensed this great disconnect between the political class and the artistic class, a lack of interest, a lack of involvement, which struck me as tragic because we’re not economic animals—we’re ultimately cultural animals. We are who we are, the...

Author: By Anna M. Yeung, CRIMSON STAFF WRITER | Title: 15 Questions with Yann Martel | 4/23/2010 | See Source »

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