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Despite, or maybe because of, their constant competition, Titian and Tintoretto often found their artistic practices converging. Over the years, Titian's brushwork became much freer and more open - more like Tintoretto's. Meanwhile, much of Tintoretto's output as a portraitist is like a grudging homage to Titian, who...

Author: /time Magazine | Title: Renaissance Venice's Big Men on Canvas | 4/10/2009 | See Source »

And if the piece can be as frustrating as it is fascinating, it's only fitting for a festival that has become a window into the disparate strands of American theater today. Started in 1976 by the Actors Theatre of Louisville, the Humana Festival gained fame in its early years...

Author: /time Magazine | Title: Louisville: Where New Plays Go to Be Born | 4/10/2009 | See Source »

The festival's center of gravity, however, was far away from this kind of well-made dramaturgy. Three of the six full-length works presented (along with a program of 10-minute plays, one of the festival's signature events, and an evening of sketches showcasing the apprentice troupe) were...

Author: /time Magazine | Title: Louisville: Where New Plays Go to Be Born | 4/10/2009 | See Source »

“There is something about the profession of impresario, the entire tribe of them, that has fascinated me ever since I learned that such weird and exotic beings existed,” said the late Clive Barnes, one of the preeminent dance critics from the turn of the...

Author: By Erica A. Sheftman, CONTRIBUTING WRITER | Title: Harvard Celebrates Centennial of the Ballet Russes | 4/10/2009 | See Source »

If Neil Young wants to release a concept album about eco-friendly cars, he sure as hell will—and over 40 years of artistic excellence means that people will listen, regardless of its merits. “Fork in the Road,” although appreciable for its...

Author: By Susie Y. Kim, CONTRIBUTING WRITER | Title: Neil Young | 4/10/2009 | See Source »

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