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Word: artisticness (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...didn't know what the hell I wanted to do, except get out of California. I'd grown up there, but I always had this image in my head of living in New York. So I took off for the East with some idea of being an artist. When anybody asked me what I wanted to be-whatever that means, anyway-I'd tell them I wanted to be an art director. That seemed to be a pretty dodgy thing...

Author: /time Magazine | Title: Show Business: When Things Come Together | 12/12/1969 | See Source »

Mujica-Lainez conveys not only the well-known creative energies of the Renaissance but its less understood anxieties as well. Unmoored from the sureties of medieval order, the leisured man and the artist of the 16th century sought comfort in personal style. Every inch of space had to be embellished. Emptiness and simplicity were troubling reminders of a yawning eternity...

Author: /time Magazine | Title: Books: Long Live the Duke | 12/12/1969 | See Source »

Discovering where the laughs came from is the undeclared aim of this biography. Lahr himself professed not to know. "Put me in a jockstrap and if I entertain people for two hours-it's a good show," he once said. "I'm not an artist, I'm in business. If it's a hit, that's all I care about." Another time, speaking about his dramatic abilities, he said, "All I know is how to do it. I can't articulate." In hopes of doing better, John Lahr, his son and biographer, has endeavored...

Author: /time Magazine | Title: Books: Where the Laughs Came From | 12/12/1969 | See Source »

...GROUP of painters who succeeded Pollock renounced the dramatic mannerisms of the action painters, flattering the canvas further. No longer do you see the artist's hand. Lacking the tensions imposed by a portrayal of the artist's emotions on the canvas, these colorists remove the reference of the moment the painting was done. The work emerges with a new sense of timelessness...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

Though many of the minimal works on display at the Metropolitan could be reproduced exactly by anyone with correct instructions from the artist, the particular choice of proportion, composition, and color can make a work of art and not merely a decorative design. Beside reflecting the phenomenon of mass production, the possibility of infinitely reproducing a piece of art declares its indestructibility. Existing as a concept to be executed at any given moment, art defies the limits of its physical state and grabs for immortality...

Author: By Cyntiha Saltzman, | Title: At the Met New York Painting and Sculpture 1940-1970 at the New York Metropolitan Museum of Art until February 1. | 12/11/1969 | See Source »

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