Word: artisticness
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...experimental, he acknowledges. He calls the Abu Dhabi project, which is set to open in 2013 and for which the Louvre will receive $900 million for the use of its name and for temporary loans of up to 300 works, a "leap into the unknown." As for contemporary artists, he points out that they've long had a place at the Louvre; both Eugène Delacroix and the Cubist artist Georges Braque painted ceiling panels in the museum, and Loyrette recently commissioned American artist Cy Twombly to do the same. "I'm not inventing or adding anything," he says...
...other big complaint is about the contemporary art. Fumaroli wrote an indignant article about the biggest show to date, an exhibition earlier this summer of works by Belgian artist Jan Fabre that was held in galleries containing Dutch and Flemish masterpieces. Among the highlights: a gigantic earthworm wriggling on upended gravestones in the Rubens room. The show was part of a series designed to give visitors a new perspective on old works. "It's important to have polyphony around the collection," Loyrette says. But Fumaroli dismissed it as pantalonnades--pantomime...
...central Virginia, amid the faded glories of America's pre-Civil War South. But in Italy, another old world still coming back to life after World War II, he sifted the rubble for a pictorial language that could reach back much farther, past civilization itself. Like the French artist Jean Dubuffet, he found it in graffiti, a scrawl that felt older and wilder than antiquity. In Twombly's paintings hectic scribbles and smudges of color might share the canvas with a crudely drawn word or phrase that harks back to the classical world - Hérodiade, Leandro - but always dimly...
...extending some scenes from the trailer, he said, "to show more of the non-PG aspects of the movie" to the 6,500 faithful who had managed to score a seat in the San Diego Convention Center. Snyder was joined onstage by several cast members and the novel's artist, Dave Gibbons...
...under Suharto, however, that Sudjojono began to blossom as an artist. Unencumbered by the constraints of socialist realism, he began to experiment with Pop Art and Expressionistic techniques. In a time of dictatorship, it was perhaps just as well. "The Suharto era made it impossible for political thought to be rendered in art," says Ahmad Mashadi, head of the Museum of the National University of Singapore Centre for the Arts. In fact, by quitting LEKRA early, Sudjojono escaped the punishment that Suharto was to mete out to leftist artists, and became the most prominent figure of what Kwok calls...