Word: artisticness
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...need something to kick against? ERIC KHOO: I think that in order to tell a story and maybe even tell it better, it's sometimes to your advantage if there are going to be restrictions ... You have to think even harder as a storyteller. EKACHAI UEKRONGTHAM: From an artist's point of view it's always good to have no censorship, but in the real world that doesn't happen anywhere. There's some kind of censorship always - if not by the state, then by the society. BRIAN GOTHONG TAN: The suppression in Singapore and Asia in general works...
...groomed as citizens. We are taught to follow rules all the time and it is really hard to see out of that box. For me, I am lucky because I was born outside of Singapore, so I can see the box really clearly. As an artist, I don't have to conform. But a lot of my friends don't see the box. I have a lot of friends who were artists with me back in my secondary school days, and they are all doctors, engineers and teachers. A lot of them have become bankers and stuff like that, giving...
...least of the many things that Robert Rauschenberg will be remembered for. But in summing up the great legacy of the artist, who died on May 12 at 82, let's pause to remember that he won a 1983 Grammy Award for the cover of the Talking Heads album Speaking in Tongues. Something about that feels right. It's hard to think of a better match for Rauschenberg, a demiurge of creative disorder, than the band that said, "Stop making sense...
...where Rauschenberg began to perfect the idea that he would eventually put this way: "Painting relates to both art and life. Neither can be made. (I try to act in that gap between the two.)" By the mid-'50s, he was also in a romantic relationship with the artist Jasper Johns. Trading ideas at top speed, together they were a pivot point between the psychodramas of the Abstract Expressionists who came just before them and the cool ironies of the Pop artists who came after...
...kind of thing was not to everyone's taste. If you were a formalist, dedicated to the ever more stringent purification of color and form, all those goats and chickens were dumb and demoralizing. Hadn't this guy ever heard of the sublime? But if you were a young artist looking for permission to do something utterly new, Rauschenberg's interlocking serendipities, his big yes to everything, were a key that turned in your brain. All kinds of subsequent art?Pop, installations, even performance art?would owe something to the combines...