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Starring Woody Harrelson and Jesse Eisenberg as Oscar-and-Felix zombie busters who hook up with con artist Emma Stone and her kid sister Abigail Breslin, the movie was sold as a splatter movie with laughs, which certainly brought in the intended demographic of lonely young males. But since it is also a buddy movie with a healthy slice of teen romance, the zom-com may eventually attract a more disparate crowd. That should be helped by an enthusiastic A- rating from the CinemaScore poll of exiting moviegoers and by a sheaf of favorable reviews. One dissenter in the critical...

Author: /time Magazine | Title: Box-Office Weekend: Zombie-ootiful! | 10/5/2009 | See Source »

...starting point of the Asian print renaissance is a sunlit studio perched above the sluggish Singapore River. There, resident artists sketch or paint their works. When they're done, they descend to the movement's operations room, a cement-floored space sealed to all natural light. It is dominated by machinery once owned by the hugely influential though now retired American printer after whom the institute is named: Kenneth Tyler, a man who consistently pushed the boundaries of printmaking from the 1960s onward, working with such artistic luminaries as Frank Stella and David Hockney. "All the machines can be pretty...

Author: /time Magazine | Title: Prints Charming | 10/5/2009 | See Source »

...ability of printmaking to augment the depth of original paintings or sketches is the reason artists persist with the techniques. The new print exhibition of Indonesian pop artist Agus Suwage, running at the STPI from Sept. 26 to Oct. 24, is a case in point. Agus began his residency at the Tyler Institute in January with a desire to protest a 2008 Indonesian antipornography law that he felt curbed the freedom of women and artists like himself. "It affects pluralism and Indonesia needs to be pluralistic," he says...

Author: /time Magazine | Title: Prints Charming | 10/5/2009 | See Source »

...Printmaking has had a dramatic effect on most of the artists spending time at the STPI. For Malaysian painter Ahmad Zakii Anwar, the process of lithography emphasized his innate drafting skills, and gave his print series of male nudes cartographic precision. Chinese installation artist Lin Tianmiao, used to working in large spaces with big props, cut her work down to a more intimate scale. She created a series of hauntingly vacant faces over which she superimposed a sheet of ribbed and pebbled paper. The scarred surface of the works imbued them with an irresistible texture...

Author: /time Magazine | Title: Prints Charming | 10/5/2009 | See Source »

...Today, the prints that result from the STPI's artist residencies are generating ever-higher sums. Each of the 34 lithographic prints of the female nude Agus has produced, for example, is expected to fetch roughly $7,000 while bigger works will go for roughly $14,000. That's modest by the standards of the art market, where an Agus painting at auction can fetch over $100,000. Nonetheless this is far more than Asians have spent on prints in the past, and that's because the perception of printmaking is finally changing. Somewhere, far above the college dorms...

Author: /time Magazine | Title: Prints Charming | 10/5/2009 | See Source »

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