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...like Gorillaz, Beck, and his own project with Cee-Lo Green, Gnarls Barkley. On “Broken Bells,” however, Danger Mouse is billed as Brian Burton, and has spoken of his desire to make clear that he is not just producing an album by another artist; Broken Bells is meant to be a stand-alone project. It’s hard to say from the debut, though, if it will stand as more than just a brief, albeit enjoyable, collaborative adventure...

Author: By Matt E. Sachs, CRIMSON STAFF WRITER | Title: Broken Bells | 3/9/2010 | See Source »

...However, among these Alaskan tribes, reciprocity is highly practiced,” Capone says. The tribe that reclaimed the totem pole gave the museum a cedar tree, and the museum in turn commissioned Nathan Jackson, an artist from that community, to carve the tree into a different totem pole...

Author: By Gautam S. Kumar and Julia L Ryan, CRIMSON STAFF WRITERS | Title: National Treasures | 3/9/2010 | See Source »

...other piece that remains is a mural by Native American graphic artist Ryan Red Corn. The piece, entitled “Vandalism,” depicts Mount Rushmore, a sacred site for the Lakota tribe. The Lakota people held the land by treaty when the U.S. decided to carve Mount Rushmore into a sculpture of four American presidents...

Author: By Gautam S. Kumar and Julia L Ryan, CRIMSON STAFF WRITERS | Title: National Treasures | 3/9/2010 | See Source »

...never been easy to understand the connection between—let alone the mass market success of—a band made up of Britpop star Damon Albarn, comic book artist Jamie Hewlett, and a series of featuring artists that now includes hip-hop producer Danger Mouse, rock legend Lou Reed, and the Lebanese National Orchestra for Oriental Arabic Music. It is even more surprising that these disparate figures, who collectively form Gorillaz, have built a reputation as a hip-hop group. In fact, Gorillaz has always been more influenced by comparatively esoteric genres...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: Gorillaz | 3/9/2010 | See Source »

...technique and stylistic expression. The interplay between them was so precise that it was difficult to tell which pianist was playing which phrase, creating a truly seamless piano performance. Though Poulenc rose to fame in France as an avant-garde composer in the early 1900s, he was an artist before his time. A century later in Paine Hall, his piano concerto still sounds dashingly innovative...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: 'Scenes' Jazzes Up BachSoc | 3/9/2010 | See Source »

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